2010 Cannes Film Festival | By Livia Bloom
“You know the kind of movie where people laugh and cry?” asked a filmmaker character in Kornél Mundruczó’s Tender Son: The Frankenstein Project (seeking American distribution). “I want you to cry.” “I am crying,” responded the would-be actor before him, his face frozen solid. The internalization of emotion, and the tiny, subtle ways it can creep into the features and postures of even the most stoic characters was explored in some of the best work at this year’s Cannes Film Festival. At first glance, the protagonist of A Screaming Man (pictured above) (Un homme qui crie, seeking distribution), by […]
by Livia Bloom Ingram on Jun 2, 2010
