The New Yorker recently commissioned filmmaker Kevin McAlester to recreate a 70-year-old drive through downtown Los Angeles. The resulting split-screen tour of the same streets in the downtown L.A. neighborhood of Bunker Hill in the 1940s and today shows how much the streets have changed and the city has grown. By the 1950s, the neighborhood, which had previously featured some of the city’s most elegant mansions and hotels, had been turned into low-income housing, according to The New Yorker. The area was highlighted in several noir films as well as in The Exiles, the 1961 film which chronicled the lives of young Native Americans living in […]
by Paula Bernstein on Aug 1, 2016Since the advent of YouTube and Vimeo, filmmakers have rolled the dice, releasing their shorts online for free in the hopes that their work will court the right set of eyeballs. Nowadays, even at banner institutions like The New York Times and The New Yorker, more and more curated short-form distribution opportunities are cropping up online that hint toward visibility and prestige for the films, along with, sometimes, financial returns for the filmmakers. Last December, The New Yorker introduced “The Screening Room,” a streaming platform where they rolled out three shorts acquired at the 2014 Sundance Film Festival: Person to […]
by Sarah Salovaara on Jul 23, 2015Lena Dunham recently wrote a piece on the late Nora Ephron for The New Yorker, has an article about her college boyfriend in the current issue, and has further strengthened her relationship with the magazine by directing this fun little short film — starring herself, her Girls and Tiny Furniture costar Alex Karpovsky, and Jon Hamm — to promote their new iPhone app.
by Nick Dawson on Aug 9, 2012