“All it takes is one good egg.” This refrain is uttered more than a few times throughout the course of Tamara Jenkins’s Private Life, her first feature since 2007’s The Savages. A meditation on marriage, middle age and the haves and have-not’s of fertility, the film stars Kathryn Hahn and Paul Giamatti as an artist couple—she’s a writer, and he runs both a theater group and an artisanal pickle company—desperate to conceive in their 40s. While the pair loads up on IVF hormones and diminishing hopes, they must also make room in their realistically cozy East Village apartment for their […]
by Sarah Salovaara on Sep 17, 2018Ted Hope — producer, Good Machine co-founder, and now CEO of Fandor — is no tongue-tied wallflower in the independent film community. Indeed, his passionate commentary, counsel and editorializing on topics ranging from net neutrality to making better films to a “systems reboot” of the independent film economy seem to be everywhere these days. But while his website, Twitter account and frequent speeches at industry events may make it seem that his opinions have been enabled — or at least turbo-charged — by this current social media age, he has, in fact, been lobbing list-driven rhetorical broadsides for years. (Don’t […]
by Scott Macaulay on Nov 24, 2014Leading up to the Oscars on Feb. 24, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Ray Pride interviewed The Savages writer-director Tamara Jenkins for the Fall ’07 issue. The Savages is nominated for Best Lead Actress (Laura Linney) and Best Original Screenplay (Tamara Jenkins). Note-perfect, Tamara Jenkins’s The Savages was one of Sundance 2007’s stellar surprises. Where another unlikely gem from the festival, Once, was bittersweet in its simple romance, Jenkins’s long-in-coming sophomore directorial entry (after 1998’s Slums of Beverly Hills) is a complex mesh of […]
by Jason Guerrasio on Feb 8, 2008