Simultaneously a rebellious yell against Christian authority and an appreciation for growing up with evangelical values, Stephen Cone’s Henry Gamble’s Birthday Party is neither religious condemnation nor agitprop. Its title character is a gay teenager celebrating his birthday with friends and family; the film, unfolding over 24 hours, keenly observes how temptation and buried secrets can rise to the surface when theological and political debates make their presence known. A rather sexy movie — in part because premarital sex is presented as something risqué or taboo — Henry Gamble’s Birthday Party is a beautifully rendered, impeccably scored experience that makes a profound, heady impact. There’s an interesting moment featuring a conversation […]
by Erik Luers on Jan 8, 2016“Don’t you ever want an objective pair of eyes?” “Have you ever thought about working with an editor?” “Yes” and “yes” are the answers to questions asked of me and other filmmaker/editors over the years about this dual position, which, for either budgetary or artistic reasons, usually extends into self-music and postproduction supervision. Much like that against playwrights directing their own work, there is often a stigma against directors editing their own films, even as, in our ever-overcrowded filmmaking landscape, there are inevitably more filmmaker/editors, each with a mindset and motive different from the next. For some, it’s an easily […]
by Stephen Cone on Oct 28, 2015