Thou Wast Mild and Lovely
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Transforming Information into Experience: White Sun Screenwriter and Editor David Barker
David Barker is a hard one to put a finger on. He is an American writer and editor who over the past 10 years has gained an international reputation for his analytical ability and open, unconventional approach. Recent collaborations include Deepak Rauniyar’s sensitive exploration of the impact of Nepalese civil war White Sun (opening today at New York’s MOMA and running through September 12) and Josephine Decker’s upcoming feature with Molly Parker, Mirandy July and Helena Howard, Madeline Madeline. Things happen with David differently than you’d expect them to. You walk an entirely other route than you wanted and end […]
by Micah Magee on Sep 6, 2017 -
The Reagans and Sex Parties: Recapping Female Sexual Fantasies in Film
“So many fantasies are fear based, so I can understand why you’d want Ronald Reagan shoving cake in your mouth,” said Amy Seimetz. She was responding to a particular fantasy from an anonymous audience member after a screening of Josephine Decker’s Thou Wast Mild and Lovely, nearing the midway point in its one week run at the IFP Media Center. Seimetz and Decker, along with Mild and Lovely d.p. Ashley Connor, Ry Russo-Young, Emily Carmichael, and Celia Rowlson-Hall were all in attendance for an interactive panel on Female Sexual Fantasies in Film. The filmmakers began with a discussion that centered on the […]
by Sarah Salovaara on Nov 17, 2014 -
“We Have to Make a Creepy Movie in These Woods”: Director Josephine Decker and DP Ashley Connor
Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of the 25 New Faces of Film of 2013), have received much praise and bewilderment throughout their international festival circuit run. It speaks to Thou Wast‘s uncategorizable nature that it played at the celebrity-touted AFI Fest, the indie stalwart BAMcinemaFest, and the heavily-genre-oriented Fantasia International Film Festival. Experimental narratives with an intense focus on the frightening extremes of sexuality, the musically-inclined films feature a remarkable blend of both visual and literary poetry; everyone from Onur Tukel to […]
by Erik Luers on Nov 13, 2014 -
IFP Announces its New Theatrical Platform “Screen Forward” and its First Five Theatrical Screenings
The Independent Filmmaker Project (IFP), Filmmaker Magazine‘s parent organization, announced the first five projects to get weeklong theatrical runs at the state of the art Made In NY Media Center’s theater as part of the Screen Forward program. Starting October 17th, the program will give filmmakers in the process of self-distribution the unique opportunity to gain a much-coveted NYC theatrical week-run, with IFP working with each filmmaking team on comprehensive audience engagement and grassroots outreach strategies, publicity support, coverage in Filmmaker Magazine, and a revenue split to all participating filmmakers. The fall slate includes: Josephine Decker’s Butter on the Latch and Thou Wast Mild and Lovely; Paul Harrill’s Something, […]
by Filmmaker Staff on Sep 18, 2014 -
“25 New Faces” Josephine Decker and Lauren Wolkstein on Hitchcock and the Choreography of Sex Scenes
Just named as two of Filmmaker‘s “25 New Faces of Independent Film,” Josephine Decker and Lauren Wolkstein have both produced an impressive body of work that has placed them as bold, young voices on the independent film scene. Decker’s feature Butter on the Latch premiered to strong reviews, including a New Yorker article that called her film “an utter exhilaration of cinematic imagination.” An actor in many of Joe Swanberg’s films, Decker is finishing her new feature film Thou Wast Mild and Lovely while Wolkstein, whose short Social Butterfly premiered at the 2013 Sundance Film Festival and whose The Strange Ones showed at SXSW […]
by Russell Sheaffer on Aug 19, 2013
