Whether he is pitching a movie, essaying the work of Carl Theodor Dreyer or teaching his Columbia Film Program students Kant’s Critique of Pure Reason, writer, producer and now director James Schamus understands the power of discourse. In fact, if you’re a longtime Filmmaker reader, you’ll have read his arguments in these pages over the years, from his “Long Live Indie Film” debate with Ted Hope back in the ’90s of their production company, Good Machine, to his more recent — and mortal — “23 Fragments on the Future of Cinema” just a few issues ago. Now, Schamus continues one […]
by Walter Bernstein on Jul 25, 2016“Transparency benefits everybody.” That’s Joe Swanberg, whose recommended Happy Christmas opens today, talking about distribution dealmaking, but he might just as well have been talking about all aspects of his career and financial life. Indeed, Swanberg is nothing but transparent in this long interview with producer, director and ArtHome founder Esther Robinson focused specifically on making a living as a writer/director — precisely the subject most directors won’t issue a comment on. The interview was conducted for Robinson’s current piece in the new print edition of Filmmaker, “Still on the Job,” in which she revisits several directors featured in an […]
by Esther B. Robinson on Jul 25, 2014Screenwriter and producer James Schamus was honored with the WGA East‘s Evelyn F. Burkey Award, which celebrates those “bringing honor and dignity to writers.” Gratefully accepting the award, Schamus ponders the meaning of “honor” and “dignity” with regards to screenwriters in today’s working environment and delivers a rousing call to arms. Watch above.
by Scott Macaulay on Feb 3, 2014