Growing up in the basketball-crazy early ’90s, Ron Shelton’s White Men Can’t Jump was iconic long before I took the time to actually sit down and watch it: the title (that font stretching!), the baggy tanks and starched casquettes, the deadpan visages of Woody Harrelson and Wesley Snipes all but daring me to rent the movie every time I saw the VHS. Starring the duo as pickup basketball players who combine forces in an uneasy con-alliance, Shelton’s followup to Bull Durham is a stone cold classic: a big-hearted buddy comedy of dazzling cinematographic musculature, the camera bobbing and weaving cross-court […]
by Steve Macfarlane on Mar 31, 2017Though I must admit his theater work is a total blind spot for me, I’m a huge fan of what Martin McDonagh does as a writer/director in film. I loved the wildly funny Six Shooter, the violent and subversive short that won McDonagh an Academy Award, and his debut feature, In Bruges, was a darkly comic addition to the hit man movie subgenre that showed he could work skilfully on a larger cinematic canvas. For his new film, Seven Psychopaths, McDonagh seems to be ratcheting up the silliness factor — although I’m sure there’s some very black moments in the movie that […]
by Nick Dawson on Aug 14, 2012The Rampart scandal, which caused a huge black eye for the LAPD in the ’90s, has been sensationalized on TV shows like The Shield and movies like Training Day, but if The Messenger showed us anything it’s that Oren Moverman is not interested in embellishing anything in his films, so his latest, Rampart, should be no exception. For the film he reteams with The Messenger star Woody Harrelson who plays a corrupt LAPD cop who must come to terms that with the scandal the fun is now over. And if having Moverman and Harrelson making a film together again isn’t […]
by Jason Guerrasio on Sep 10, 2011