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All Protocols are Not the Same: Joanne McNeil on Bluesky
If you are a filmmaker, journalist, artist or someone else who creates work for an audience, most likely you’ve used social media to share it. Self-promotion is never fun, but it’s felt especially inconsistent (if not totally hopeless) ever since Elon Musk acquired Twitter, renamed it X and began throttling views to posts that include links. A number of users have escaped to new broadcast-based social media services that are “decentralized”—but what that word means depends on who you talk to. There are concrete differences between the AT Protocol, underpinning Bluesky, and ActivityPub, the protocol and standard for Mastodon as […]
by Joanne McNeil on Dec 16, 2024 -
“Emotional Heartbreak Can Be Dangerous”: Ti West on His Technicolor X Prequel Pearl
Pearl, Ti West’s prequel to the 70s slasher-inspired X, is a far more claustrophobic study of psychological ruin and bodily decay than it is a gory exercise in picking off victims one by one. Unburdened by the heavy prosthetics and dual role that defined her performance in X, star and co-writer Mia Goth, that film’s de facto villain, gives a gloriously unsettling performance as the now titular character depicted during her early 20s in 1918. Pearl lives under the domineering thumb of her German mother Ruth (Tandi Wright), cares for her Spanish flu-stricken father (Matthew Sunderland) and desperately yearns for […]
by Natalia Keogan on Sep 16, 2022 -
Trailer Watch: Ti West’s Pearl
Watch the trailer for Pearl, the second film from director Ti West to be released this year. Back in March, we got the ’70s slasher throwback X, and Pearl is a prequel that charts the origin story of X‘s geriatric killer. Mia Goth, who co-wrote the screenplay with West, stars as the titular character during her young womanhood. While filming X, Goth portrayed both the film’s final girl and crazed killer. It appears she sheds the extensive prosthetics and dual performance in Pearl. The film will be released in theaters by A24 on September 16.
by Filmmaker Staff on Jul 26, 2022 -
“Ninety Percent of the Lighting Was Done Pretty Much How You Would’ve Done It in 1979”: Cinematographer Eliot Rockett on the Period Horror Film X
“The story can’t just change midway through,” exclaims a pretentious adult film director incredulously in X. It certainly can in a Ti West horror film, where one of the joys is often the shift from the methodical pace of the opening to the blood-drenched mania of the finale. Set in 1979, X finds a group of ambitious but inexperienced filmmakers heading to a remote Texas farm with dreams of making the next Debbie Does Dallas. However, the troupe fails to inform their hosts – an elderly couple who rent the crew their bunkhouse – about the purpose of their visit, […]
by Matt Mulcahey on Apr 21, 2022 -
Ambition in Filmmaking, Mia Goth’s Dual Role and His Sirkian A24 Prequel: Ti West on His SXSW-Premiering X
After 2016’s Western, In the Valley of Violence, and several years directing episodic TV, Ti West (The House of the Devil, The Inkeepers, The Sacrament) makes a very welcome return to the world of feature horror with X, a ’70s-set picture in which the sort of ambition that has characterized West’s impressive filmography is both evident on screen as well as the subtext driving the film’s characters. The set-up: a ragtag group of filmmakers ensconce themselves in a rented barn outside a foreboding farmhouse straight out of The Texas Chainsaw Massacre to make a porno feature, The Farmer’s Daughter. Mia […]
by Scott Macaulay on Mar 14, 2022
