Wasp Network attempts to make sense of the anti-Castro groups stationed in Miami during the late 90s. Poised at the other side of the Florida straits, they coordinated terrorist attacks on the Cuban tourism industry, hoping to bring its economy to its last legs. The Cuban government retaliated by planting spies in Miami, the titular Wasp Network, hoping to scupper future attacks on the coasts of Cuba. Here’s a stage for the shadowy intrigue of a political thriller, but Olivier Assayas recounts the bulk of his espionage under the sun, outdoor bars and restaurants, shot reverse shot dialogue whilst drinking, smoking, eating. […]
by A.E. Hunt on Jul 20, 2020The sunny subterfuge of Wasp Network, about a knotty web of anti-Castro groups and Cold War residuals, is a relief from the blue skin, suits and shadows of heavy political thrillers. It’s an Olivier Assayas (Irma Vep, Personal Shopper, Non-Fiction) film after all, shot in Cuba, Miami and the blue sky and ocean in between. As on Carlos, Assayas’ go-to DPs Denis Lenoir (Cold Water, Disorder.) and Yorick Le Saux (Personal Shopper, Non-Fiction) shot their own half of Wasp Network. With Carlos, Le Saux started the film and chose the film stock, lenses, etc. On Wasp Network, Lenoir shot the first […]
by A.E. Hunt on Jul 15, 2020Writers and publishers, politicians and performers deal with a changing cultural landscape in Non-Fiction, the latest feature from writer and director Olivier Assayas. A snapshot of Parisian society about to succumb to the digital generation, it’s also a surprisingly supple romantic comedy in which couples form and dissolve with distinctively French sangfroid. Alain (Guillaume Canet), a publisher of “quality” literature, is facing the takeover of his house by a digital entrepreneur. His assistant Laure (Christa Théret) argues that books are obsolete anyway. Alain’s wife Selena (Juliette Binoche) feels trapped in her role as a “crisis management expert” (read: “cop”) in […]
by Daniel Eagan on May 1, 2019No one expected Claire Denis to soften with age. At 72, the French auteur has been a daring and unpredictable force in cinema for three decades now. After delivering last year’s talky romantic comedy Let the Sunshine In, which offered the unexpected sight of Gérard Depardieu as a lovesick psychic, Denis has returned with a certified leap into the unknown. High Life is the filmmaker’s first English-language film, her first science fiction foray, and her first featuring eye-popping CGI. Boasting an international cast that includes Robert Pattinson, Juliette Binoche, Mia Goth and André Benjamin, and set to be released by […]
by Paul Dallas on Mar 14, 2019