Venice, Toronto, Marco Island, Fort Lauderdale, Tacoma, Mannheim-Heidelberg, Hawaii, London, Shorts International, and CinemaTexas by Belle Burke, Ray Pride, Brandon Judell, Stephen Gallagher, Liane Bonin, Diane Sippl, Mike Jones, Laura Macdonald, Amy Veltman, and Holly Willis
by Mary Glucksman
Bari Pearlman visits the 1998 IFFM.
Anne Bergman reports on the revival of L.A.’s American Cinematheque.
Mary Ann Marino talks with Joan Scheckel about her Director’s Workshop.
Filmmaker looks at new theatrical distributors.
Gill Holland surveys the current indie film marketplace.
Filmmaker Michael Almereyda talks shop with Ray Pride.
Peter Bowen on Hilary Brougher’s The Sticky Fingers of Time.
Hazel Dawn Dumpert on Rea Tajiri’s Strawbery Fields.
Nancy Savoca talks about her career and her new film, The 24 Hour Woman, with Peter Bowen.
Michelle Meyers and Stephen Gallagher on Cauleen Smith’s Drylongso.
Ken Loach discusses his new film, My Name is Joe, with Adam Pincus.
Peter Bowen on Jim Fall’s Trick.
Eugene Hernandez discusses Trans with director Julian Goldberger.
Filmmakers Jim Herbert and Mark Jordan talk about Speedy Boys with Stephen Gallagher.
Mike Jones chats with Chris Smith about his new doc, American Movie.
Albert and Allen Hughes talk with Karen Voss about their new doc American Pimp.
Kore-eda Hirokazu discusses his new film After Life with Mike Jones.
Alex Nohe and Peter Bowen look at Scott King’s Treasure Island.
Stephen Gallagher investigates The Blair Witch Project with filmmakers Dan Myrick and Eduardo Sanchez.
Toni Kalem talks with Holly Willis about her adaptation of Anne Tyler’s A Slipping Down Life.
Black Cat, White Cat’s Emir Kusturica talks with Patrick McGavin.
Steve Anderson looks at Jim Shedden’s study of avant-garde filmmaker Stan Brakhage.
Michelle Meyers and Peter Bowen on Andrew Shea’s Corn Dog Man.
David Riker discusses his new film La Ciudad with Stephen Garrett.
Filmmaker’s annual look at the box office hits and misses from Sundance ’98.
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