Post-Production

Featured

Say it Again: How to Do No-Budget ADR for Independent Films

microphone

My first feature, Veer!, was shot primarily on Super 16mm, on an old Eclair ACL I got off eBay. While it shot beautiful images, the camera sounded like a helicopter taking off when rolling. Interior dialog scenes were especially nightmarish…  Read more

By

Kit: 10 Favorite Tech Innovations of 2014 (And Perhaps 2015)

Mac Pro top

I fall into that category of independent filmmaker who, as the need exists, writes, produces, directs, shoots, records sound, edits, even grades their own footage. (What we used to call color correction.) Then again, often times I’m “just” the DP.…  Read more

By

Dealing with Archival Footage: Making The Prime Ministers

Director Richard Trank interviewing Yehuda Avner for The Prime Ministers | Moriah FilmsDirector Richard Trank interviewing Yehuda Avner for The Prime Ministers | Moriah Films

Documentary films often rely extensively on archival film, and dealing with different archive sources and the variety of formats involved can become a significant headache. For The Prime Ministers: Soldiers and Peacemakers, co-producer and editor Nimrod Erez had to deal…  Read more

By

Red Giant Universe Effects Package Review

UniverseFeatured

There are a number of things that are different about Red Giant’s effects package Universe. It’s offered as a subscription, but you can get access to a sizeable number of effects without paying a thing. Members of the Universe community…  Read more

By