The advances in camera technology over the past few years have somewhat overshadowed application software developments, but that doesn’t mean there haven’t been some interesting new updates and new applications. Here are just some of the most interesting application updates announced over the past couple of months. Blackmagic DaVinci Resolve 12 At NAB Blackmagic announced Resolve 12. It’s not available yet, but this update continues where 11 started, adding more video editing features and continuing to turn Resolve into a serious editing tool. Blackmagic even claims it’s now the “most powerful editor available.” The new interface is lighter and offers […]

Okay, you’ve spent seven years making your indie opus, another two years playing the festival circuit, and somewhere along the way you even managed to sell your film and get distribution. Hooray, you’re done and the party’s over! Your goal by this point is undoubtedly to move on and start working on the next film. But, wait a second, just because you’ve “sold” your film and you “got” distribution doesn’t mean your job as a filmmaker is “done” (or that you need to stop using “air quotes”). On the contrary, you’re still staring at a 20-to-life sentence for your film. […]

While most of the attention paid to Blackmagic’s releases at NAB went to their slew of new and updated cameras, they also released DaVinci Resolve 12, which they say has made a bigger improvement in the last year than their last five years of updates. When they introduced 11 last year, they announced new editing tools within the app. They’ve further expanded Resolve as a feasible NLE with multicam features, tons of trim mode options, and a brand new audio engine for audio editing. I played around with Resolve at the booth. The timeline definitely felt familiar and the ease of making […]

LaCie announced some updates to their familiar rugged line at NAB. There is now a larger housing with two drives for RAID 1 or 0. It includes both a thunderbolt and USB 3 interface, with 4 TB for $419. Also new to the rugged line is a 1 TB SSD drive, priced at $899. There’s a variety of other options in both SSD and spinning disk ranging from 250 GB to 2 TB. Not rugged but a new mobile addition is a USB-C drive. Expect to see more of these now that Apple has made it clear that’s the new direction of connections. Comes […]

If you’ve ever dealt with a video project that needed feedback from a team of people, chances are you’ve worked with Dropbox files, password-protected Vimeo links, and a scattered selection of email chains. Wipster aims to streamline the process with their online platform. Simply upload your video file and choose who you want to share it with. Everyone you list will get an email with a unique URL to view the video without needing to create an account and log in. From there they can use Wipster’s powerful commenting feature, which lets any collaborator comment on any frame in the video just by […]

In the late 1890s, Frederick Hill Meserve, the son of a Union solider, started collecting photographs from the Civil War. Collecting images — particularly those of President Lincoln — became something of an obsession, and he eventually acquired the largest single collection of Lincoln images. Meserve’s collection was used as the basis for the penny, the portrait on the $5 bill, the Lincoln Memorial and Mount Rushmore. The collection is vast — over 70,000 items — and became a family project for five generations. As if this didn’t sound more amazing than the plot of National Treasure, it gets better: Dorothy Meserve […]

My first feature, Veer!, was shot primarily on Super 16mm, on an old Eclair ACL I got off eBay. While it shot beautiful images, the camera sounded like a helicopter taking off when rolling. Interior dialog scenes were especially nightmarish for sound, and one scene in particular retains no original production audio because of this. We had to re-create the scene’s audio — dialogue, background ambience and foley — completely from scratch. But when I point out which scene it is, people don’t always believe me. Indeed, good ADR goes unnoticed, and as much as I’d like to pat myself […]

I fall into that category of independent filmmaker who, as the need exists, writes, produces, directs, shoots, records sound, edits, even grades their own footage. (What we used to call color correction.) Then again, often times I’m “just” the DP. 2014 was my busiest year ever, and at some point I found myself taking on each of these basic roles. As a result, the scope of my “kit” is necessarily broad, encompassing both production and post. (Kit is a Britishism for one’s working collection of gear, a name I intend to lend to a series of brief tech reviews in […]

Documentary films often rely extensively on archival film, and dealing with different archive sources and the variety of formats involved can become a significant headache. For The Prime Ministers: Soldiers and Peacemakers, co-producer and editor Nimrod Erez had to deal with hundreds of sources and dozens of video formats. As editor and co-producer, Erez ran the post-production department, overseeing the additional editors brought in to work on the picture and seeing the movie through grading and final picture. The film will be released this year and is the second and final part to follow The Prime Ministers: The Pioneers, which was released in 2013. The […]

There are a number of things that are different about Red Giant’s effects package Universe. It’s offered as a subscription, but you can get access to a sizeable number of effects without paying a thing. Members of the Universe community get to vote on effects that are being added to the set. Universe is cross-platform, works with a variety of software applications and supports GPU acceleration. You can even try out the premium effects for free with your first month of use. The effects and transitions of Universe support a variety of environments: Adobe After Effects (CS5.5 and higher) and […]