BMI announced today that veteran music supervisor Tracy McKnight, whose work includes scores of independent films, has been appointed the performance rights organization’s new Vice President, Creative, Film, TV & Visual Media. From the press release: In this role, McKnight… Read more
In making my Watergate historical fiction film 18½, I always knew that coming up with a consistent musical soundtrack was going to be essential for balancing the tone of a film that swings from comedy to thriller to drama at… Read more
Since the passing in January of Irwin Young, chief mensch at New York’s fabled DuArt Film Lab, there has been an outpouring of tributes and reminiscences, including a packed memorial at Lincoln Center in May. But no tribute has been… Read more
How and why What started it all was the 2016 election. I was at the Napa Valley Film Festival showing my documentary The Lost City of Cecil B DeMille, and I remember sitting in my hotel room watching the results… Read more
Irwin Young, a foundational figure in the New York independent film world, died January 20, in Manhattan, at the age of 94. Chairman of DuArt Film Laboratories, his contributions across the field, which range from technical and business innovations to philanthropy to, simply, extending support to new and emerging filmmakers, are embedded within so many films that now define the American independent film movement. As distributor and director Ira Deutchman wrote at Indiewire, “If there were a Guinness Book of World Records entry for most ‘thank you’ credits at the end of films, I can’t imagine that anyone else could […]
“If I could log in right now I would,” Dawn Porter raved in one of the many enthusiastic testimonials sprinkled throughout Full Frame’s engaging “The Creative Power of BIPOC Editors,” an online launch/celebration of the BIPOC Documentary Editors Database. Expertly edited (surprise surprise), the swift-moving event (approximately an hour long) took place on June 3rd but is still well worth checking out. Whether you’re a veteran producer looking to hire beyond the usual (white) suspects or a student just beginning to build your reel, this database instruction manual/guide to best BIPOC hiring practices/panel discussion/showcase of the diversity of BIPOC work […]
Drawing from the world of gaming, writer/director Pete Ohs is embarking on a post-production experiment for his pandemic-shot film, Jethica: live-streaming his edit. “I know that YouTube is overflowing with editing and software tutorials but I’ve never heard of anyone actually editing a movie live,” he writes in an email, and I can’t think of anyone who has done this either. Beginning this week, Ohs is using Twitch to transmit his editing screen as well as webcam footage of himself behind the console, allowing viewers to track his process cut-by-cut. “I imagine the audience for this stream is going to […]
Despite its ironically inviting title, Welcome to Chechnya, a new documentary by director David France, depicts a harrowing tale of escape. The film, which is being released by HBO on June 30, follows a group of Russian activists working to rescue LGBTQ people from a vicious anti-gay government campaign in Chechnya. Beginning in 2017, Chechen authorities detained, tortured and, in some cases, forcibly disappeared more than 100 (likely many more) members of the gay community, according to reports by journalists and human rights groups. Paced like a spy thriller, the documentary captures the Chechens’ perilous journey, aided by the Russian […]
Transcribing a verbal interview can calcify its fluidity. Congealed to text, the spontaneity of a subject’s ongoing efforts to articulate their process is reduced, encouraging readers to mistake the record as definitive. Some interviewees ponder the permanence of their words anxiously and fear fumbling, saying what they don’t mean, or what they might not in a month or a year. But composer Mica Levi’s (Marjorie Prime, Jackie, Under The Skin) oral replies retain their suppleness on the page. Her understanding of her score for Alejandro Landes’ Monos, about a group of teenage commandos flummoxing their military responsibilities atop a mountain […]
By now you must have heard about Peter Jackson’s “controversial” restoration of 100-year-old 35mm newsreel footage from WWI, taken from the archive of London’s Imperial War Museum. A splendid profile by Mekado Murphy occupied #1 in the New York Times Trending section for several days after it appeared Dec. 16, joined by coverage by Chris O’Falt in IndieWire and David Sims in The Atlantic. Unfortunately, in a highly unusual release pattern, distributor Warner Bros. Pictures is screening this groundbreaking film on two dates only: Dec. 17 and Dec. 27 at select theaters across the U.S. (check local listings if you […]