Post-Production

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SFFILM and Dolby Institute Launch A Fellowship, Which Will Go to Michael Tyburski and Ben Nabors’ Film Palimpsest

Michael Tyburski and Ben Nabors

Sound, sadly, is not an area of filmmaking most people think of first, if at all. A new program may change that. SFFILM and the Dolby Institute have teamed up to create a fellowship that will help filmmakers all the…  Read more

By Nov 9, 2018

Reviewers Hail Video Performance of Apple’s New iMac Pros

After neglecting the pro market in recent years, Apple is out with the first of two new machines this Thursday, the iMac Pro. (The redesigned Mac Pro is expected sometime in 2018). The ultra-high-end 18 Xeon core processor version won’t…  Read more

By Dec 12, 2017

Watch: Walter Murch Talks Music, The Conversation and “Nodal Editing”

Starting off with a discussion of classic Hollywood vs. Soviet editing styles (continuity editing vs. Soviet montage’s dialectic approach), famous editor and sound designer Walter Murch goes on to discuss a third way that he dubs “nodal editing.” Drawing examples…  Read more

By Dec 4, 2017

Color Grading Film and Digital for Wonderstruck

Colorist Joe Gawler of Harbor Pictures has worked on a number of films and television shows over the years, including A Most Violent Year, Midnight in Paris and Arrival. For Wonderstruck, Gawler had to work with multiple film stocks. The story takes place…  Read more

By Oct 26, 2017


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