Post Sound
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Watch (and Listen): Hearing A Nightmare on Elm Street
In our second Jacob T. Swinney video post of the day, here’s the critic and filmmaker’s tribute to the late Wes Craven, in the form of an analysis of the director’s use of sound in his horror classic. From the video’s notes: The first horror movie I ever watched was Wes Craven’s “A Nightmare on Elm Street”. Being a child, the film frightened me so badly that I didn’t view another horror film until my teen years. Despite the obvious tormentors of a man with a burned face, gravity defying whirlpools of blood, and a dying teen being dragged around […]
by Scott Macaulay on Sep 1, 2015 -
Adobe Software Moves to the Cloud: What Users Need to Know
Adobe Creative Cloud, the latest update to the Adobe application suite of programs, was released last week. This release marks a major change for Adobe away from a “purchase” model to a subscription model; if you want the latest versions of their applications you must now pay a monthly fee to use the software. You can license an individual application for $20 a month, or the whole suite for $50 a month. Clearly, even if you think you only need After Effects and Premiere Pro, you might as well spring for the whole set, and if you have a previous […]
by Michael Murie on Jun 24, 2013 -
Walter Murch on Editing and His Translations of Curzio Malaparte
While editing The Unbearable Lightness of Being in France, Academy Award-winning film editor and sound designer Walter Murch came across a reference to Italian writer Curzio Malaparte’s description of horses being suddenly flash frozen in Lake Ladoga during the siege of Leningrad. He became intrigued by the startling image, and tracked down Malaparte’s 1944 novel Kaputt, the book the image came from. Over time Murch, best known for his work on films such as The Godfather and Apocalypse Now, read all of the obscure Italian writer’s translated writings, then brushed up on his Italian to read untranslated work. He eventually […]
by David Barker on Jun 3, 2013 -
Teenage Riot: A Conversation with Matt Wolf, Jon Savage and Jason Schwartzman
Youth culture didn’t start in the ’60s. In the parlance of today’s teens, the appropriate response to this might be “duh.” Teenage, director Matt Wolf’s artful new non-fiction film, uncovers the “hidden history” of youth culture and locates its origins in various youth movements in the first half of the 20th century. From German Swing kids to American Victory Girls, the film offers a veritable lexicon of lost teen vocabulary (“teen canteen,” “buzz bucket,” “boogie in the strut hut”), and reminds us that the invention of teenager culture depended on the invention of a new language — and one that […]
by Paul Dallas on Apr 25, 2013 -
10 Things I Learned at Masters in Motion
On December 2nd, 2012, filmmakers from as far away as Canada, Croatia, Tanzania, Switzerland, and Brazil converged in downtown Austin, Texas for Masters in Motion, a three-day immersive filmmaking workshop, held annually at the world-famous Alamo Drafthouse on 6th Street. Despite having a Canon C500, C300, C100 and an array of DSLRs from Lens Pro To Go on hand, in addition to the Phantom Flex and TS3 Cine provided by Rule Boston Camera, the vibe of the event was summarized perfectly in this tweet: “@niceladypro Refreshing going to a 3 day filmmaking workshop where people don’t talk about the camera […]
by Jon Connor on Jan 7, 2013 -
RZA on The Man with the Iron Fists
What do you get when you hand RZA the keys to his own film project? As fans of the multi-tasking Wu-Tang Clan leader will be thrilled to know, you get a balls-out, rap-infused martial arts spectacle, filled with the mad love of a lifelong kung fu fan. A project nine years in the making, RZA’s directorial debut, The Man with the Iron Fists, sees the 43-year-old artist star alongside Lucy Liu and Russell Crowe, bringing to life a mashed-up actioner that blends Chinese mysticism with the U.S. slave trade and more. The impetus for the film’s production came when RZA […]
by R. Kurt Osenlund on Nov 7, 2012 -
Troubled Assets
With the 2008 post-crash Presidential election as ironic backdrop, Andrew Dominik’s violent crime, Killing Them Softly, bitterly regards our crumbling American dream. Brandon Harris interviews the Australian writer/director.
by Brandon Harris on Nov 1, 2012
