Sundance Features
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Five Questions with I Am Not a Hipster Director Destin Daniel Cretton
A dubious term to be sure, it seems that one of the pre-reqs for hipster certification is denying that you actually are one. Based on this criterion, Brook, the main character in Destin Daniel Cretton’s feature debut, definitely qualifies. But… Read more
Five Questions with The Surrogate Director Ben Lewin
Strictly speaking figures, The Surrogate has been the big Sundance winner thus far. Scooped up by Fox Searchlight for a massive $6 million, the film is already reportedly being groomed for next year’s Oscar race. The first narrative feature from… Read more
Five Questions with Goats Director Christopher Neil
Goats might be Chrisopher Neil’s first feature as director, but he’s worked for years as an acting coach and rehearsal adviser on projects as wide ranging as Adaptation, The Virgin Suicides, and Star Wars: Episode 3 – Revenge of the… Read more
Five Questions with Shut Up And Play the Hits Directors Dylan Southern and Will Lovelace
Over LCD Soundsystem’s ten-year career, the band grew from early blog darlings to lauded indie stalwarts. After telegraphing the group’s demise years in advance, band-leader James Murphy officially disbanded LCD last April with a star-studded, marathon-length performance at Madison Square… Read more
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Five Questions with Valley of Saints Director Musa Syeed and Producer Nicholas Bruckman
Musa Syeed’s Valley of Saints is a film warmly awash in setting and culture. Filmed in Kashmir, within the aquatic trading community of Dal Lake, Valley follows Gulzar, a young ferry driver who dreams of moving out of Kashmir, until the arrival of a beautiful American scientist begins to complicate things. Pairing with producer Nicholas Bruckman, Syeed’s first narrative effort patiently probes into a fascinating community (and part of the world) rarely seen on the big screen. Filmmaker: What inspired you to make a film set in Kashmir? Syeed: Both my parents were born in Kashmir. In the 1960s, my …
by Dan Schoenbrun on Jan 24, 2012 -
Five Questions with The Imposter Director Bart Layton
More and more often different mediums and genres of filmmaking are being meshed together and Bart Layton’s newest documentary The Imposter is no different. The film’s official synopsis declares, “Documentary meets Film Noir in this astonishing true story which has all the twists and turns of a great thriller.” But this is not just a hoax to get people into the theatre. Based on an extremely bizarre story of a young man who infiltrates a family by posing as their missing son, the film follows an intricate plot of testimonies that aim to recreate the story’s noir-ish tone. Just as …
by Alexandra Byer on Jan 23, 2012 -
Four Questions with Middle of Nowhere Director Ava DuVernay
Over the last decade, Ava Duvernay has established herself as something of an indie renaissance woman. An entrepreneur, distribution and marketing expert, and key player in the African American filmmaking landscape, Duvernay expanded her resume again in 2010 with her directorial debut I Will Follow, an intimate portrait of grief. Middle of Nowhere, Duvernay’s followup, centers on a woman (Emayatzy Corinealdi) forced to cope with the recent incarceration of her husband. Filmmaker: Like I Will Follow, Middle of Nowhere tells a very small-scale, very intimate story. What was it about these characters and this story that inspired you? Duvernay: The …
by Dan Schoenbrun on Jan 23, 2012 -
Five Questions with Robert & Frank Director Jake Schreier
A futuristic buddy film focused on the relationship between an elderly ex-jewel thief and his caretaker robot, Robot & Frank’s premise might sound high-concept, silly even. But director Jake Schreier ‘s focus is on keeping the action emotionally grounded. Anchored by the dexterous, empathetic, and ever-dependable Frank Langella (Frost/Nixon, Superman Returns) as well as a strong ensemble that includes Susan Sarandon, James Marsden, and Liv Tyler, director Schreir’s feature debut is a small-scale character piece with some very large ambitions. Filmmaker: Robot & Frank started out as a short film in 2003, so the feature version has obviously been gestating …
by Dan Schoenbrun on Jan 23, 2012 -
BLOODY DISGUSTING FOUNDER BRAD MISKA ON SUNDANCE HORROR PIC “V/H/S”
“When we started Bloody Disgusting back in 2002, we were the only ones doing it daily,” says Bradley Miska about the origins of his all-horror site. Sites like Ain’t It Cool News, Dark Horizons and Jo Blo were around too, but as its name would suggest, Bloody Disgusting hammered a wooden stake in the burgeoning field of online horror coverage and now, 10 years later, it is reaping the rewards. Management company The Collective “bought into” Bloody Disgusting five years ago, says Miska, and today the co-owned website is just one part of a gory mini-empire that also includes a …
by Scott Macaulay on Jan 22, 2012 -
Five Questions with Excision Director Richard Bates Jr.
Sundance’s Midnight section always includes a fair share of genre-heavy selections, but Richard Bates Jr.’s Excision sounds like it will pack a level of blood and guts rarely seen at the festival. A twisted coming of age tale, Excision follows young Pauline (AnnaLynne McCord), a high school girl with an unabated interest in picking scabs, dissecting road kill, and fantasizing about performing surgery on strangers. Bates’ debut seems to be the sort of grotesque horror comedy sure to play well to splatter-enthusiasts in Park City and beyond. Filmmaker: You’re premiering at a festival not traditionally known for its horror selections. …
by Dan Schoenbrun on Jan 22, 2012