POLICE MUGSHOTS OF POLITICIAN LARRY CRAIG AS FEATURED IN DIRECTOR KIRBY DICK’S OUTRAGE. COURTESY MAGNOLIA PICTURES. Whether his subjects have been small and personal or large and institutional, documentarian Kirby Dick has always dedicated himself to telling important and often provocative stories. Dick was born in Tucson, Arizona, in 1952, graduated from the Film and Video Program at the California Institute of the Arts and subsequently did postgraduate studies at the American Film Institute. He made his directorial debut in 1986 with Private Practices: The Story of a Sex Surrogate, but afterwards segued into television work, taking eleven years before […]
by Nick Dawson on May 8, 2009JOHANNES KRISCH AND URSULA STRAUSS IN DIRECTOR GÖTZ SPIELMANN’S REVANCHE. COURTESY JANUS FILMS. Contemporary Austrian cinema has been dominated by the works of its two best known names, Michael Haneke and Ulrich Seidl, but now the name of the prodigiously talented Götz Spielmann can be added to that list. Spielmann was born in 1961 in the town of Wels, but grew up in the country’s capital, Vienna. As a child he was drawn to film and he began writing and directing in his teens; when he was just 17, he had his first film shown on television. Between 1980 and […]
by Nick Dawson on May 1, 2009TONI SERVILLO IN WRITER-DIRECTOR PAOLO SORRENTINO’S IL DIVO. COURTESY MUSIC BOX FILMS. If Paolo Sorrentino represents the future of Italian cinema, then the country’s filmic output certainly should be exciting in years to come. The highly accomplished writer-director was born in Naples in 1970, and first became involved in filmmaking in the mid-90s when he was an assistant director on a couple of films, The Gas Inspector and Drogheria (both 1995). Finding himself poorly suited to production work, Sorrentino transitioned into screenwriting, jointly penning Polveri di Napoli with the film’s director Antonio Capuano in 1998. The same year, he wrote […]
by Nick Dawson on Apr 24, 2009MICHAEL CAINE AND BILL MILNER IN DIRECTOR JOHN CROWLEY’S IS ANYBODY THERE? COURTESY STORY ISLAND ENTERTAINMENT. Along with Martin McDonagh and Conor McPherson, John Crowley is part of a recent wave of Irish theater influx into film. Born in 1969, Crowley is a philosophy graduate from the University of Cork in Ireland who first became involved in theater as a student, seeing it as a way to get into directing film. He began directing plays in Dublin in the early 90s and was successful enough that already in 1996 he was working in London’s West End. After a few years, […]
by Nick Dawson on Apr 17, 2009ANNA FARIS AND SETH ROGEN IN DIRECTOR JODY HILL’S OBSERVE AND REPORT. COURTESY WARNER BROS. In terms of the sheer number of great filmmakers it has produced recently, the North Carolina School of the Arts is pretty much untouchable, and its latest alum in the spotlight is writer-director Jody Hill. Hill, a native of North Carolina, attended the university along with a prodigious group of classmates including directors David Gordon Green, Craig Zobel and Jeff Nichols, as well as writer-actors Danny McBride and Paul Schneider, D.P. Tim Orr and soundman-turned-writer Chris Gebert. After graduation, Hill briefly worked in television in […]
by Nick Dawson on Apr 10, 2009ASKHAT KUCHINCHIREKOV AND FRIEND IN DIRECTOR SERGEY DVORTSEVOY’S TULPAN. COURTESY ZEITGEIST FILMS. The image of Kazakhstan and its cinema took a hit recently with the unwanted attention of a certain Borat Sagdiyev, however the rise to prominence of the highly talented writer-director Sergey Dvortsevoy should help redress that national image problem. Dvortsevoy was born in the Kazakh city of Chimkent in 1962 and initially had no particular interest in film. After high school, he attended aviation college in the Ukraine and the Radiotechnical-Institut in Novosibirsk, Russia, in order to become a radio engineer for Aeroflot, the Russian aviation company, a […]
by Nick Dawson on Apr 1, 2009YAVUZ BINGÖL AND HATICE ESLAN IN DIRECTOR NURI BILGE CEYLAN’S THREE MONKEYS. COURTESY ZEITGEIST FILMS. In film writing these days, superlatives like “visionary” and “genius” are thrown around all too often to describe directors, though few truly deserve them; Nuri Bilge Ceylan, however, is one of those few. The Turkish writer-director was born in 1959 in Istanbul, and started taking photographs in his mid-teens. He earned a degree in Engineering at Bo?aziçi University, but after graduating he moved on to study film, a newly discovered passion, at Mirnar Sinan University. After a ten-year period spent living in London (during which […]
by Nick Dawson on Mar 27, 2009ICONIC FASHION DESIGNER VALENTINO GARAVANI (CENTER) IN DIRECTOR MATT TYRNAUER’S VALENTINO: THE LAST EMPEROR. COURTESY ACOLYTE FILMS. Having demonstrated significant talent as a print journalist, Matt Tyrnauer has shifted his focus and brought his great observational skills to bear on the big screen. Born in the late 1960s in Los Angeles, Tyrnauer grew up with entertainment all around him. His father was a TV writer on shows like The Virginian, Columbo and Murder, She Wrote (which he also produced), Tyrnauer was a regular visitor to LA’s favorite rep houses such as the Nuart and the New Beverley, and he was […]
by Nick Dawson on Mar 18, 2009KYÔKO KOIZUMI, INOWAKI KAI, TERUYUKI KAGAWA, AND YÛ KOYANAGI IN DIRECTOR KIYOSHI KUROSAWA’S TOKYO SONATA. COURTESY REGENT RELEASING. Over the past decade or so, Kiyoshi Kurosawa has established himself as one of the most interesting genre directors in world cinema. The Japanese writer-director was born in Kobe in 1955, and first made 8mm shorts while studying Sociology at Rikko University. He began directing features in the early 1980s, working on direct-to-video titles, including yakuza movies, and studied under the tutelage of directors Shinji Somai and Kazuhiko Hasegawa. He then had minor successes with films like the college-set drama The Excitement […]
by Nick Dawson on Mar 13, 2009DENIS LAVANT IN “MERDE,”DIRECTOR LEOS CARAX’SEGMENT OF TOKYO!. COURTESY LIBERATION ENTERTAINMENT. French directors Leos Carax and Michel Gondry – both born in the early 1960s, during the first blush of the Nouvelle Vague – so far have had markedly different career paths. Carax, a boy from the Parisian suburbs, became a film critic and short film director before announcing himself as a major talent with his first two features, Boy Meets Girl (1984) and Bad Blood (1986). Carax’s distinctive visual style, outsider sensibility and preoccupation with modern romance was also on show in his third film, Lovers on the Bridge […]
by Nick Dawson on Mar 6, 2009