Authors — Nick Dawson
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Gavin O’Connor, Pride And Glory
COLIN FARRELL AND EDWARD NORTON IN DIRECTOR GAVIN O’CONNOR’S PRIDE AND GLORY. COURTESY WARNER BROS. As a director who values realistic characters and emotionally resonant stories above all else, Gavin O’Connor is a young filmmaker who is keeping the values of a bygone Hollywood alive. The son of a cop, O’Connor grew up in New York on a diet of classic studio movies from the 30s and 40s then immersed himself in the great films produced by the New Hollywood auteurs of the 1970s. After graduating from the University of Pennsylvania, O’Connor returned to New York, where he began writing […]
by Nick Dawson on Oct 23, 2008 -
Abel Ferrara, Mary
JULIETTE BINOCHE IN DIRECTOR ABEL FERRARA’S MARY. COURTESY ABEL FERRARA & ANTHOLOGY FILM ARCHIVES. After more than 30 years as a director, Abel Ferrara shows no sign of losing any of the raw intelligence, energy and vitality that have made him a continuing force in American cinema. The Italian American Bronx-born director, now 57, began directing shorts as a film student at SUNY Purchase in the early 1970s and made his feature debut in 1976 with the porn film 9 Lives of a Wet Pussy under the pseudonym Jimmy Laine. His debut proper was the legendary DIY grindhouse movie The […]
by Nick Dawson on Oct 17, 2008 -
Marianna Palka, Good Dick
WRITER-DIRECTOR-ACTRESS MARIANNA PALKA AND JASON RITTER IN PALKA’S GOOD DICK. COURTESY MORNING KNIGHT / PRESENT PICTURES. Still only 27, Marianna Palka has achieved notable success early in her career because she knew what she wanted and showed an adventurous spirit in going out and getting it. A first generation Polish Scot, Palka grew up in the depressed working class Glasgow neighborhood of Maryhill, where at an early age she displayed an interest in theater and cinema. In her teens, she began making what she calls “video art” projects which depicted the world around her, such as By My Very Self, […]
by Nick Dawson on Oct 10, 2008 -
Peter Sollett, Nick And Norah’s Infinite Playlist
KAT DENNINGS AND MICHAEL CERA IN DIRECTOR PETER SOLLETT’S NICK AND NORAH’S INFINITE PLAYLIST. COURTESY SCREEN GEMS. For all the current talk of the sky falling on American independent cinema, you don’t have to look any further than Peter Sollett’s recent experiences to see how tough things have become for even the most gifted indie writer-directors. Thirty-two-year-old Brooklyn native Sollett grew up in an Italian-Jewish neighborhood in Bensonhurst and studied film at NYU’s Tisch School of the Arts, graduating in 1998. In 2000, he directed and co-wrote, with his partner Eva Vives, the short filmFive Feet High and Rising, about […]
by Nick Dawson on Oct 3, 2008 -
Matt Wolf, Wild Combination: A Portrait Of Arthur Russell
A REENACTED SHOT OF ARTHUR RUSSELL ON THE STATEN ISLAND FERRY FROM DIRECTOR MATT WOLF’S WILD COMBINATION: A PORTRAIT OF ARTHUR RUSSELL. COURTESY PLEXIFILM. Some people age more quickly than others, and Matt Wolf – both in person and in his work – displays a confidence and maturity that belie his tender years. Twenty-six-year-old Wolf was born and raised in San Jose, California, and spent much of his teenage years watching movies. He won a full-tuition fellowship to study film at NYU, where he made a number of shorts including Smalltown Boys (2003), an experimental biopic about AIDS activist David […]
by Nick Dawson on Sep 26, 2008 -
Wayne Wang, A Thousand Years Of Good Prayers
FAYE YU AND HENRY O IN DIRECTOR WAYNE WANG’S A THOUSAND YEARS OF GOOD PRAYERS. COURTESY MAGNOLIA PICTURES. Wayne Wang’s work has always been about a balance of contrasts, whether it be Chinese and American, classical and experimental, or independent and Hollywood. Wang was born in Hong Kong in 1949 and moved to the U.S. in his late teens to study film and television at the California College of Arts and Crafts in Oakland. He made his directorial debut in 1975 with A Man, a Woman, and a Killer (on which he is co-credited alongside Rick Schmidt) but it was […]
by Nick Dawson on Sep 19, 2008 -
Irena Salina, Flow
There are many paths to cinematic success, some of them direct, some of them not, and it is fair to say that Irena Salina has taken a more meandering route than some to reach her current position. Born in Paris in the wake of May ’68, she grew up in a theatrical family (her uncle was the late, great French actor Philippe Noiret) and initially aspired to becoming an actress. When her adolescence was disrupted by her parents’ divorce, she chose to drop out of school and became a radio reporter at the age of just 15. After a stint […]
by Nick Dawson on Sep 12, 2008 -
Chris Smith, The Pool
VENKATESH CHAVAN IN DIRECTOR CHRIS SMITH’S THE POOL. COURTESY VITAGRAPH FILMS. Chris Smith is an interesting conundrum, a filmmaker who brings a narrative verve and energy to his documentaries and approaches fiction films with the delicate restraint and remove of a documentarian. A graduate of University of Wisconsin-Milwaukee’s film program, Smith first appeared on the scene in 1996 with American Job, a low-key narrative feature loosely based on the work experiences of the film’s star and co-writer, Randy Russell. During the editing of that film, he met Mark Borchardt, an oddball wannabe horror filmmaker who became the subject of Smith’s […]
by Nick Dawson on Sep 3, 2008 -
Jiri Menzel, I Served The King Of England
IVAN BARNEV AND ASSORTED FEMALE FRIENDS IN DIRECTOR JIRÍ MENZEL’S I SERVED THE KING OF ENGLAND. COURTESY SONY PICTURES CLASSICS. Ji?í Menzel is rather like a character from literary fiction, the brilliant best friend who is beset by bad luck but accepts his lot in life with a wry, philosophical smile. Menzel, born in the former Czechoslovakia on the cusp of World War II, grew up with a passion for theatre but failed to get into drama school due to a perceived lack of ability. Instead he went to film school, where he was taught by the seminal Czech director […]
by Nick Dawson on Aug 28, 2008 -
Azazel Jacobs, Momma’s Man
MATT BOREN, FLO JACOBS AND KEN JACOBS IN DIRECTOR AZAZEL JACOBS’ MOMMA’S MAN. COURTESY KINO INTERNATIONAL. Trying to make it as a director is difficult – and particularly so when your father is one of the most respected filmmakers in his field – however in the last few years Azazel Jacobs has made a name for himself in his own right with a string of individual and resonant films. Jacobs, the son of avant garde filmmaker Ken Jacobs and painter Flo Jacobs, grew up in New York City and studied film at Purchase University in upstate New York. His graduation […]
by Nick Dawson on Aug 22, 2008
