With only three features under his belt, Matthew Porterfield has proven himself one of the most original voices in low-budget independent cinema, winning deserved praise from critics and audiences in both the US and Europe. Last year Porterfield made his first short film, the 30-minute Take What You Can Carry, which had its world premiere at the 2015 Berlinale. Inspired by a quote from French author Georges Perec, this self-described meditation on “communication, creativity and physical space” finds the Baltimore native working once more (in a somewhat more abstract mode than his features) with girlfriend Hannah Gross as Lilly, an American in […]
by Andrew Grant on Feb 25, 2015When it was announced late last year that Terrence Malick’s Knight of Cups would be in competition at the 2015 Berlinale, many read this as a sign of hope – that the festival could still manage to snag a world premiere that most would assume was destined for Cannes. At the other end of the scale, there were those who, sight unseen, took this as confirmation that its unspooling here is a telltale sign that the film simply must be second-rate. That divide was as evident at the finale of Sunday’s press screening, where the first sound heard in the packed […]
by Andrew Grant on Feb 9, 2015How does one best measure the success ofa film festival? Are record-breaking ticket sales enough, or do other factors, such as quality of the films screened, quantity of A-list celebrities walking the red carpet and overall “buzz” generated, come into play? If revenue is the sole gauge, then there’s no question that the Internationale Filmfestspiele Berlin (colloquially known as the Berlinale) is one of the world’s most prosperous annual film events. By 7 a.m. each morning of the 10-day festival, hundreds of sleepy Berliners can be found queuing up at the makeshift ticket office in the Potsdamer Platz shopping mall, […]
by Andrew Grant on Apr 17, 2012