As I devoted more time and energy to the Filmmaker newsletter throughout the last decade-plus, I’d often find myself in some form of dialogue with producer, strategist and consultant Brian Newman. His invaluable Sub-genre newsletter arrives on Thursdays (now, biweekly), mine on Fridays, and, like me, he’ll often comment on the production and distribution challenges facing independent filmmakers in an increasingly commercialized, politically cautious and algorithmically-driven media landscape. So, many Fridays, I have found myself trying to add something new to Brian’s erudite musings on the topic of the week, often defaulting to just throwing him a link. But our […]
by Brian Newman on Jan 9, 2026One would think that in this era of superabundance—with Netflix, Hulu, Amazon Prime, Disney+, Apple TV+, Pluto TV, Criterion Channel, OVID.tv, Kanopy and more than 300 hours of content uploaded to YouTube every minute—the last thing we need is another viewing option. But nearly every day a new platform seems to launch, and many are investing heavily in “original content.” New platforms spending money should be good for filmmakers, right? Well, the answer seems a qualified maybe. The boom isn’t just occurring with platforms focusing on features and episodic content. There’s a new rise in outlets focusing on short-form work. […]
by Brian Newman on Jun 19, 2019