Authors — Carson Lund
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“Digital Cinematography is Mostly Mired in a Sort of Default Realism”: Brandon Colvin on A Dim Valley
Fifteen minutes into Brandon Colvin’s third feature, A Dim Valley, Albert (Whitmer Thomas) presents Ian (Zach Weintraub) with a generously packed bowl of marijuana, which the two proceed to light up. Shortly thereafter, they witness a surreal vision in the forest near the field research camp where they’re spending the summer, but to call this a drug-induced departure from realism would be inaccurate. From the very beginning of this whimsical backwoods tone poem, Colvin establishes something like a stoner ambiance: pacing is lethargic, odd bits of behavior are lingered on, glassy-eyed stares into the middle distance proliferate. There’s a sense […]
by Carson Lund on Jul 1, 2021 -
“This is the Real Narrative of Our Country”: Patrick Bresnan and Ivete Lucas on Challenging Stereotypes and Shaping Raw Experience in Pahokee
Pahokee, the documentary feature debut of filmmakers Patrick Bresnan and Ivete Lucas, who appeared on our 2016 25 New Faces list, is in the midst of a virtual theater release through Monument Releasing. Dozens of arthouses nationwide are partnering on the film, with the theaters receiving 50% of streaming tickets sold. Plus, the filmmakers are doing live Q&As this Wednesday, April 29, and Saturday, May 2, at 8:00 PM Eastern. For more details, and to watch the film, which is highly recommended, visit the Pahokee virtual release page. And read the below interview with the directors by Carson Lund, published […]
by Carson Lund on Jun 3, 2019 -
Over 100 Cast Members and No Permits: How I Shot Ham on Rye in Los Angeles
The following guest essay on the making of Ham on Rye is from cinematographer Carson Lund. The film premieres at the Santa Barbara International Film Festival this week, and the official site is here. For independent filmmakers, Los Angeles is a city of contradictions: it’s both an ideal place to congregate with likeminded artists and craftspeople, and a truly daunting place to actualize on-location productions if you’re low on cash. Between inflated permitting fees, hefty fines for unlawful shooting, and a police force with plenty of experience enforcing these standards, there’s no shortage of ways in which the city formally discourages guerrilla […]
by Carson Lund on Feb 5, 2019 -
Gabe Klinger on Shooting Porto on Multiple Film Gauges, Approaching Sex Scenes and Manoel de Oliveira’s Influence
After taking home the Best Documentary prize from the Venice Film Festival for Double Play: James Benning and Richard Linklater, critic-turned-director Gabe Klinger’s first scripted feature is the fractured, woozy love story, Porto. Set in the titular Portuguese city, it dramatizes in non-linear fashion the shared experiences of a rail-thin American nomad, Jake (Anton Yelchin, in a hypnotic parting performance), and a charming local woman, Mati (Lucie Lucas, making her feature starring debut). Porto debuted at the San Sebastián International Film Festival in late September and followed with showings at the Zurich Film Festival, where I was able to catch up with him […]
by Carson Lund on Oct 11, 2016
