Following a strong reception at the Sundance and Cannes film festivals, Debra Granik’s latest feature, Leave No Trace, has been placed by critics as the third in a trilogy of films (after Down to the Bone [2004] and Winter’s Bone [2010]) about people living “in the margins” of American society. A less thorough and invested filmmaker may have been tempted to make a reactionary and didactic film about those left behind in Trump’s America, but Leave No Trace is pared back both on the level of its dialogue and in its unwillingness to assign blame to any one party. Granik […]