Lose Yourself to Dance: Mia Hansen-Løve on Eden
French filmmaker Mia Hansen-Løve makes movies about walking and not talking. About the unsaid stuff that underpins everyday life, that tacitly ferries us toward and away from life’s big dramas: love, first love, broken love, careers as they peak and wane, reunions and ennui, death, family. Hers is a world where the moving image, like life, is animated not by the noise that accompanies celebration and turbulent times, but by time itself. So much so that Hansen-Løve’s four features, All Is Forgiven, The Father of My Children, Goodbye First Love and her most recent, Eden, span years, sometimes decades — […]
by Durga Chew-Bose on Apr 28, 2015
