Authors — Filmmaker Staff
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“Being Able to Do Even Crude Ideas Yourself as an Editor Is Really Valuable”: Editors Austin Reedy and Mark Becker on The Librarians
In The Librarians, director Kim A. Snyder’s documentary chronicles the efforts of these educators in states like Texas and Florida in the face of sweeping book bans, which largely censor stories that center on LGBTQ and racial identities. Editors Austin Reedy and Mark Becker tell Filmmaker about working with archive, creating through lines in the edit and how this film “helps us build a more empathetic conversation about such an important institution.” See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and […]
by Filmmaker Staff on Jan 24, 2025 -
“Turn Her Trauma into Art” | Kate Beecroft, East of Wall
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Our film is centered around the lives of Tabatha Zimiga and her family as they reconcile their unresolved grief after the sudden death of her husband. This film took five years to make. It’s a docu-fiction film, so I lived in this specific area of South Dakota for years—embedding myself for the purpose of […]
by Filmmaker Staff on Jan 24, 2025 -
“We Could Really Be Quite Merciless in the Edit”: Editor Jennifer Vecchiarello on East of Wall
Premiering in the festival’s NEXT section, this hybrid film from filmmaker Kate Beecroft follows Tabitha Zimiga, a horse trainer who houses wayward women in her remote Badlands ranch. As she provides shelter and guidance for her oft-teenage house guests, Tabitha also grapples with the recent death of her husband and mounting financial peril. Editor Jennifer Vecchiarello answers our questions about her collaboration on East of Wall below. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your […]
by Filmmaker Staff on Jan 24, 2025 -
“A Continuous Swing Between Memories and the Present.”: DP Clarissa Cappellani on Brides
In Brides, UK teenagers Doe and Muna (Ebada Hassan and Safiyya Ingar) take an ill-advised trip to Syria to escape the constant feeling of being othered that follows them at home. The film, the debut feature by Young Vic Theatre artistic director Nadia Fall, examines teenage girlhood through a distinct sociopolitical lens. The film was shot in three different locations, meaning the production had new crews every two weeks. Director of photography Clarissa Cappellani (Misericordia, Salvatore: Shoemaker of Dreams) discusses working through those challenges and the films and photographs that she and Fall used as references. See all responses to our […]
by Filmmaker Staff on Jan 24, 2025 -
“It Came Down to Me Not Wanting to Miss Out on the Trip”: Producer Asma Chiboub on Where the Wind Comes From
A competition in southern Tunisia becomes a road trip destination for young friends Alyssa(Eya Bellagha) and Mehdi (Slim Baccar) in Where the Wind Comes From, the feature debut from writer-director Amel Guellaty. First-time feature producer Asma Chiboub talks about her experience on Where the Wind Comes From, and the current state of the industry, below. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect with this filmmaker and wind up producing the film? Chiboub: I met Amel Guellaty in 2014 around her first short film, Black Mamba, which I produced and which premiered in […]
by Filmmaker Staff on Jan 24, 2025 -
“For Me, Less is More”: DP Anna Smoronova on Bubble & Squeak
Bubble & Squeak, about a married couple accused of smuggling cabbages in a country where cabbage is illegal, marks the feature film debut of Evan Twohy. The film will premiere in the U.S. Dramatic Competition at the 2025 Sundance Film Festival. Anna Smoronova (The Killing of a Journalist), served as the film’s director of photography. Below, she explains how the film’s similarity to some of her favorite filmmakers hooked on her first read of the script and elaborates on the visual aesthetic, including the influence of Henri Rousseau. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and […]
by Filmmaker Staff on Jan 24, 2025 -
“A Chemistry Between the Operator and the Actors:” DP Frida Marzouk on Where the Wind Comes From
19-year-old Alyssa (Eya Bellagha) and her 23-year-old friend Medhi (Slim Baccar) travel to southern Tunisia for a contest that promises to change their lives in Where the Wind Comes From, writer-director Amel Guellaty’s feature debut. Cinematographer Frida Marzouk discusses lensing Guellaty’s film, including the difficulties of shooting car scenes, her penchant for verite filmmaking and her previous career as a set electrician. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
by Filmmaker Staff on Jan 24, 2025 -
“I Had Succeeded in Bringing My Imagination to the Screen” | Amel Guellaty, Where the Wind Comes From
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? It’s such a tough question. Perhaps the shooting days in Djerba were the most significant. During those three days, we filmed very important scenes—difficult to perform—that we had rehearsed extensively. I was stressed because I knew that if I didn’t get them right, the film would lack emotion. But I was so happy and […]
by Filmmaker Staff on Jan 24, 2025 -
“Working With the Storyboard Was Crucial:” Editor Giorgia Villa on GEN_
GEN_, the latest documentary from filmmaker Gianluca Matarrese, follows Dr. Maurizio Bini and his medical team at Milan’s Niguarda public hospital. Specializing in gender-affirming care as well as in vitro, Dr. Bini provides care to patients whose identities are increasingly politicized amid the rise of far-right conservatism. Editor Giorgia Villa discusses her hands-on education background, longtime collaboration with Matarrese and the similarities between music and editing. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being […]
by Filmmaker Staff on Jan 24, 2025 -
“I Am Always Mining for Gold in the Rushes”: Editor Fiona DeSouza on Brides
Premiering in Sundance’s World Cinema Dramatic Competition, Brides follows two UK teens who travel to Syria in an attempt to escape the othering they face at home. The film is the debut feature of Nadia Fall, the artistic director of London’s Young Vic Theatre and director of productions of Three Sisters and King Hedley II, among others. The film is edited by Fiona DeSouza, whose credits include 2020’s Kindred and episodes of numerous TV series, including Great Expectations and Hanna. Below, she shares a trick for making a small number of setups go a long way and how a good cup of tea […]
by Filmmaker Staff on Jan 24, 2025
