In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor I’m mainly a pornographer. Though COVID-19 is not a sexually transmittable infection, it can be sexually transmitted. So, I’m thinking a lot about risk. How much risk is involved with even […]
by Filmmaker Staff on Jul 8, 2020In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor It has almost become a cliché to discuss how the pandemic is VR’s big chance and accelerator. Yes, of course, we are all overdosing Zoom zombies, and the online parties feel […]
by Filmmaker Staff on Jul 8, 2020In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor One month into the New York lockdown, as anyone deemed “nonessential” was required to stay at home, I procrastinated another day away, as I had a long list of recommended films […]
by Filmmaker Staff on Jul 8, 2020In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor There’s so much political and psychological upheaval going on right now that it’s hard to narrow it down to a single statement. Where to begin? I was working on a new […]
by Filmmaker Staff on Jul 8, 2020In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor Based on where my people are, I feel like I’m, at best, one to two generations early in trying to be an indie filmmaker. I feel selfish. Wealth of money (and […]
by Filmmaker Staff on Jul 8, 2020In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor I’m in Santiago, Chile, where I came to be with family when the film I was working on went on hiatus. These questions to people in the arts seem to focus […]
by Filmmaker Staff on Jul 8, 2020In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor Lately, it has been difficult to turn away from screens. Screens that show us the casual abuse of power. Screens that instill rage and dread. These screens are important in showing […]
by Filmmaker Staff on Jul 8, 2020In Michael Almereyda’s pre-Katrina New Orleans–shot Happy Here and Now, David Arquette’s termite control specialist is preparing to shoot a film about Nikola Tesla in his off-hours. In a delirious rant, Arquette’s character muses about the Serbian-American scientist’s quest to slow the speed of light—enough so that you could go out for a coffee and return in time to see a beam complete its journey from one end of your apartment to another. In the climax of Happy Here and Now, one of Tesla’s signature inventions, the Tesla coil, is responsible for Arquette’s film-within-a-film experiencing the worst kind of production […]
by Filmmaker Staff on Jul 7, 2020With the future of pre-vaccine festivals still up in the air, Sundance Film Festival’s Director, Tabitha Jackson, has sent out an announcement (not quite, as she says) as to what next year might look like. The letter is posted in full below. Dear Friends, As we plan for our 2021 Festival — my first in the Director’s chair — and with submissions now open, I wanted to give you an early insight into how we are thinking. This is not an announcement, but rather an invitation into the process of building something together this year. There are very few certainties […]
by Filmmaker Staff on Jun 29, 2020SFFILM, in partnership with the Westridge Foundation, announced the five narrative feature projects that will share $100,000 in funding via the SFFILM Westridge Grants. One of the only grants devoted to supporting narrative filmmakers in the development and screenwriting stage, the grants are awarded twice annually to U.S. filmmakers “whose stories take place primarily in the United States and focus on the significant social issues and questions of our time.” In addition to the cash grants, recipients are given support through the SFFILM Makers program along with a support and counsel from SFFILM, the Westridge Foundation and a dedicated mentor. […]
by Filmmaker Staff on Jun 9, 2020