So, it’s day 2 of the fest and D-Day for THE PEOPLE VS. GEORGE LUCAS. It’s our world premiere tonight and we’ve got a day packed with final preparations, the premiere, party and hopefully not too much panic! The day started well with the news that our screening sold out on the Xpress pass tickets in less than 20 minutes. Some people were in line from 8am. The booths don’t open until 10am. Could we be creating a mini STAR WARS phenomenon here?! Then it was time for Alexandre’s Studio SX interview with Lewis Wallace from Wired Magazine. There was […]
by Filmmaker Staff on Mar 14, 2010So here we are at SXSW for the world premiere of a documentary I produced, The Canal Street Madam. My badge, accordingly, identifies me as Mridu Chandra, “The Canal Street Madam.” I can’t say that we thought of that when we named the film, but it’s definitely my favorite film festival badge so far! We landed in Austin Friday afternoon with what seemed like enough time to rent our car, ditch our winter coats, and get to the Filmmaker Lunch at Troublemaker studios. We drove up to the studio to find that the weren’t letting more people in, because it […]
by Filmmaker Staff on Mar 14, 2010Swinging in to SXSW This is my first SXSW, which feels odd for me as I’ve worked as a producer in digital media & film for more than a decade, but shoots & life got in the way of coming before. But this year I’ve got a great reason to be here – I’m one of the producers of the innovative feature documentary The People Vs. George Lucas, here with director Alexandre O. Philippe, fellow prods Kerry Roy & Vanessa Philippe and DOP Robert Muratore. I’m based in the UK, so it was a long flight over here, and I […]
by Filmmaker Staff on Mar 13, 2010The following interview appeared originally in Filmmaker‘s Fall, 2007 print edition. We don’t cover enough screenwriters in Filmmaker, but that’s not entirely our fault. This magazine is devoted to independent film, and for many, the director is also the writer. Or the script has emerged from improvisation or some other nontraditional means. And while there is a new breed of independent-minded screenwriters today — Charlie Kaufman, Capote’s Dan Futterman and Juno’s Diablo Cody come immediately to mind — many of the “marquee screenwriters” still work almost exclusively in the studio world. By virtue of the unique niche that screenwriter Oren […]
by Filmmaker Staff on Oct 1, 2007