At this point, it’s a running joke that any indie film worth its salt will have an extended scene featuring a woman pissing. Not just a woman sitting on the toilet, underwear around her ankles—the trickle of her stream must be fully perceptible to the viewer’s ear, subversive in its unvarnished or gritty exploration of the female experience (even with my sparser-than-usual Sundance viewing schedule this year, I’ve still clocked one extended instance of this). If a filmmaker is really being edgy, a blood-soaked tampon may appear on screen, or perhaps sparse droplets of menses slowly descending down a thigh. […]
by Natalia Keogan on Jan 28, 2023In visual artist Alison O’Daniel’s debut feature The Tuba Thieves, a local news story serves as the impetus for an abstract investigation into the cultural significance of sound, music, communication and the act of hearing itself. From 2011 through 2013, schools in Southern California experienced a common (and confounding) crime—tubas were stolen en masse, leaving marching bands without their lowest-pitched instrument. When O’Daniel—who is d/Deaf/Hard of Hearing—first listened to the developing news story via car radio, she was immediately intrigued. Yet she wasn’t interested in the conventional questions pertinent to such a crime (e.g. who is stealing these instruments and why?), […]
by Natalia Keogan on Jan 25, 2023Despite its recent formation during the fall of 2021, the Documentary Cinematographers Alliance has already put forth a comprehensive guideline of “best practices” DPs should advocate for and adhere to while working on any given nonfiction shoot. This document also serves as a rubric for directors and producers to measure the safety, sustainability and collaborative nature of their documentary project. The DCA also acts as a de facto community hub for DPs all around the country, with group chats and festival panels organized to connect these below-the-line workers—and, most importantly, provide a safe place for transparently sharing their wages, various […]
by Natalia Keogan on Jan 23, 2023Filmmaker Teddy Collatos ventures into episodic territory with Palookaville, a comedy series that follows a young New Yorker named JoJo (Howard Lester), who suddenly believes that he’s the famous (and long-deceased) boxer Joe Lewis. The 17-minute pilot episode, set to have its world premiere at Slamdance, explains how this case of mistaken self-identity came to be. Comedian Franqi French plays JoJo’s sister Squirrel, who unceremoniously kicks him out of her apartment after he trash talks Night of the Living Dead. In desperate need of cash, he cons an Alex Jones-listening Brooklynite and heads over to his friend Monica’s (Edy Modica, […]
by Natalia Keogan on Jan 21, 2023Last month, a letter from Field of Vision’s co-founder and executive director Charlotte Cook announced that the non-profit organization would be splitting from its parent company First Look Media and become an independent studio. Formed in 2015, Field of Vision has been behind documentaries like Hale County This Morning, This Evening, American Factory and Riotsville, USA among others. They’ve also had their hand in producing several films made by 25 New Faces of Film alums, with Alison O’Daniel’s The Tuba Thieves and Elaine McMillion Sheldon’s King Coal premiering at the 2023 Sundance Film Festival. As part of the split, First Look […]
by Natalia Keogan on Jan 21, 2023The primordial fear of being watched, stalked and caught by an unknown entity lurking in the dark is the basis of Skinamarink, the microbudget feature debut from writer-director-editor Kyle Edward Ball. The incredibly loose narrative follows young siblings Kevin (Lucas Paul) and Kaylee (Dali Rose Tetreault) as they patter around their family’s strikingly ordinary middle-class house in the dead of night circa 1995. Their parents are nowhere to be found, all of the doors have mysteriously vanished and the lights eventually stop working. While this phenomena is enough to chill any child, their well-being is most threatened by a supernatural […]
by Natalia Keogan on Jan 13, 2023The unexpected (and largely unspoken) challenges of parenthood are rawly probed in Holding Moses, a moving documentary short directed by Rivkah Beth Medow and Jen Rainin. The film follows Randi Rader (Medow is in an open marriage; Rader is her long-term partner), a queer, non-binary dancer and Broadway performer who undergoes a personal reckoning when her son Moses is born with a rare genetic disorder of the 22nd chromosome. Via pre-recorded monologue, Rader shares the difficult journey of digging herself out of a deep depression and learning to love her son unconditionally. The candidness of her emotional trajectory may at […]
by Natalia Keogan on Jan 11, 2023The trailer for Ari Aster’s highly-anticipated new film, Beau Is Afraid (formerly titled Disappointment Blvd), has arrived. The writer-director, whose previous films Hereditary and Midsommar have been widely lauded, appears to be continuing his work in the horror genre, though the trailer contains a distinct comedic streak. The film stars Joaquin Phoenix as an emotionally stunted man who embarks on a strange, arduous journey to get home to his mother. Also starring are Nathan Lane, Amy Ryan, Stephen McKinley Henderson, Hayley Squires, Denis Ménochet, Kylie Rogers, Armen Nahapetian, Zoe Lister-Jones, Parker Posey, and Patti LuPone. Beau Is Afraid will hit […]
by Natalia Keogan on Jan 10, 2023Indiewire’s chief film critic David Ehrlich returns with his annual video countdown of the year’s best films, selecting 25 titles to highlight via clever editing choices and, most distinctly, various needle drops culled from a wide range of 2022 releases, from The Batman to Bones and All. In what’s also become a recent tradition, Ehrlich continues to have the director behind the top-ranked film choose a charity for viewers to donate to, as a way to “help justify the (truly humiliating) amount of time it takes me to make them.” This year, Filmmaker is proud to say that Charlotte Wells, […]
by Natalia Keogan on Jan 9, 2023The abstract yet oppressive sensation of an anxiety attack is captured through intense corporeal movement in Waves, the latest from Brooklyn-based filmmaker Nat Gee. The film stars Lily Baldwin as a woman in the throes of an anxious episode, her oft-idyllic surroundings transformed into hostile environments. A well-manicured flower garden becomes a frightening, frenzied feast (and viny prison); gentle waves crashing upon a sandy shore morph into a violent assailant; a stroll in a verdant, tranquil park turns into an uneasy exercise in losing bodily autonomy. Yet as fascinated as Gee is in conveying the unsettling feeling of being consumed […]
by Natalia Keogan on Dec 20, 2022