Authors — Natalia Keogan
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Exclusive Clip: Rosanne Pel on Her New Directors/New Films Closing Night Title Donkey Days
The 55th edition of New Directors/New Films, the annual showcase of rising cinematic talent co-presented by Film at Lincoln Center and MoMA, will run April 8-19. Opening the festival is Adrian Chiarella’s queer horror film Leviticus, and other standouts include John Early’s brilliant bulimia comedy Maddie’s Secret, Kevin Walker and Jack Auen’s hypnotic hybrid Chronovisor, and Giulio Bertelli’s Agon, winner of the FIPRESCI Prize at Venice Critics’ Week. Ahead of this year’s festival, Filmmaker is happy to debut a short clip courtesy of filmmaker Rosanne Pel, whose feature Donkey Days has been selected as this year’s closing night film. “I […]
by Natalia Keogan on Mar 31, 2026 -
Watch Six Short Films from Filmfort 2026
Filmmaker is happy to continue its annual partnership with the Filmfort Film Festival by exclusively hosting six short films from the 2026 edition, which kicks off today. Occurring simultaneously during the Treefort Music Fest in Boise, Idaho, Filmfort highlights emerging indie fare. On the feature film front, this includes The Scout, directed by Paula González-Nasser—who appeared on our 25 New Faces of Film last year— and Joybubbles, Rachel J. Morrison’s Sundance-premiering doc. The following shorts will be available to watch on the site through midnight on March 29, when the festival wraps. Find the embedded films and their synopses below. […]
by Natalia Keogan on Mar 26, 2026 -
UFO Short Film Lab Announces 2026 Fellows
UFO announces the fellows that will join the latest cycle of the UFO Short Film Lab. The 18-month program supports early-career filmmakers to develop and direct two original shorts, awarding $20,000 ($10,000 per project) to each participant. Additional resources include complimentary rentals of ZEISS’s newest lenses, seminar-style workshop sessions hosted at the Brooklyn Academy of Music (BAM) and one-on-one creative mentorship from the UFO team and invited guests. UFO received a record 287 applications for three available fellowship slots. The filmmakers selected for Cycle IV, which kicks off next month, are Hana Elias, Katherine Clary, and Edward Nguyen. The latter […]
by Natalia Keogan on Mar 25, 2026 -
“Absolutely Not a Genre Film”: Julia Ducournau in Conversation with Robert Eggers on Alpha
“To me it’s not really a shift,” French writer-director Julia Ducournau tells filmmaker Robert Eggers on the topic of Alpha, her third feature. “Though I completely understand why it might feel like one.” Indeed, fans of Ducournau’s previous films—her collegiate cannibal breakout Raw (2016) and Palme d’Or-winning body horror Titane (2021)—will undeniably view Alpha as a major departure. Though physical transformation is still integral to the narrative, Ducournau describes her most recent film as “a very grounded family drama.” Family is a major fascination for the filmmaker—from inheriting a taste for human flesh to birthing a man-machine hybrid—but never has […]
by Natalia Keogan on Mar 23, 2026 -
undertone, 2026’s Scariest Movie So Far, Conjures Filmmaker Ian Tuason’s Real-life Demons
“I was never really into the occult before making this movie,” says Ian Tuason, writer-director of the new A24 horror film undertone. “After doing research, I started getting into it more. That manifested weird things into existence.” A demonic “found audio” film, undertone came about, in part, due to Tuason’s background as a pioneer of immersive 360-degree VR horror shorts. Continuity Problems (2009) and Close Up (2011) found major success on YouTube before screening at the Marché du Film’s NEXT Pavillion in Cannes. His follow-up, the 360-degree live-action breakthrough 3:00am, racked up 9 million viewers on YouTube. Maybe he wasn’t […]
by Natalia Keogan on Mar 20, 2026 -
“Fungi Dictated the Structure of the Movie”: Otilia Portillo Padua on Daughters of the Forest
For generations, Indigenous women in Mexico have understood the vast power of mushrooms—medicinal, culinary, spiritual, toxic. Their knowledge has been calibrated and passed down matrilineal channels, not unlike the mycelial network that connects individual mushrooms to one another underneath rich soil. In Daughters of the Forest, Mexican filmmaker Otilia Portillo Padua documents two specific women, Lis and Juli, who reside with their families in these verdant enclaves. While they both possess a wealth of ancestral knowledge about mushrooms, Lis and Juli hope to distinguish themselves within academia. But there is no tension between homeopathy and science here. Instead, the women […]
by Natalia Keogan on Mar 13, 2026 -
A Guide to SXSW 2026, From Penis Enlargements to Pagan Mall Employees
Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing interviews and dispatches from various corners of Austin’s city limits. This year’s lineup is massive—with 119 feature films alone—and we happily assume the daunting role of covering buzzy world premieres and hidden gems alike. Speaking of world premieres, there’s an expected emphasis on genre fare among this year’s crop. Irish low-budget maverick Damian McCarthy scales up with Hokum, a folk-tinged rental house horror that provokes chills through its trailer alone. This releases via Neon just two and a half […]
by Natalia Keogan on Mar 12, 2026 -
ESG, Ross McElwee, and Other Exciting Artists Take Over True/False 2026
The Columbia, Missouri-based True/False Film Festival kicks off its 23rd edition, one that boasts a particularly exciting lineup of non-fiction films, musical performances, and coinciding art installations. Running from March 5–8, the theme for the 2026 program is “You Are Here,” chosen by visiting artistic director Yance Ford. The director of acclaimed docs Strong Island (2017) and Power (2024) is intimately familiar with the politics of place: Nominated for an Academy Award, Strong Island documents the racially-motivated killing of Ford’s brother in Long Island; more broadly, Power charts the creation of modern American policing. Both films have screened at previous […]
by Natalia Keogan on Mar 5, 2026 -
“A Trippy, Psychedelic Musical Odyssey”: Josef Gatti on Phenomena
“I found a way to look into the universe,” says non-fiction Australian filmmaker Josef Gatti in his feature debut Phenomena. Paradoxically, it turns out that the wonders of the universe are perceptible right here on Earth—so long as one has a laissez-faire approach to homemade (and often dangerous) science experiments and access to high-tech camera equipment capable of capturing molecular reactions in real-time. These reactions, subatomic as they may be, possess a staggering beauty. Guided in part by his father, a physics professor, Gatti trains his cinematic eye on the hypnotic (and yes, most would say downright “trippy”) visual effects […]
by Natalia Keogan on Mar 5, 2026 -
“A Calculated Exercise in Squeezing Blood From a Stone”: Director Aidan Zamiri and Composer A.G. Cook on Charli XCX’s The Moment
Brat summer is decidedly over. The mechanics of its disintegration are lampooned in The Moment, a mockumentary cum critical commentary of the hype that propelled Charli XCX’s 2024 album into a full-blown cultural phenomenon. Charli plays an exaggerated version of herself, plagued by funhouse mirror distortions of the anxieties that besieged her during the extended press and stadium tour that ostensibly signaled the peak of her pop stardom. It’s appropriate that Aidan Zamiri, one of Brat’s key visual collaborators, stepped up to direct The Moment, which marks his feature film debut. Though he previously helmed music videos for Charli (notably […]
by Natalia Keogan on Feb 10, 2026
