In 1968, at the age of 18 and six years before the release of her masterpiece, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, Chantal Akerman made this short film, which announces themes and strategies she continues to this present day. From Amber Frost at Dangerous Minds: Akerman actually dropped out of film school before completing a single term in order to make it, selling stocks and working in an office to fund the twelve and a half minutes that eventually paved the way for her three hour plus opus. As with Jeanne Dielman, intense, oppressive boredom and domestic isolation […]
by Scott Macaulay on Jul 7, 2014In the latest in his Every Frame a Painting series, film essayist Tony Zhou breaks down the visual language of the visually dynamic, sometimes-maligned (although not by Filmmaker!) Michael Bay, showing why his shots still pack more punch than your average multiplex-crasher. Using commentary from Werner Herzog, references to West Side Story (one of Bay’s favorite films) and A/B comparisons of imitators interesting and not, Zhou explains Bay’s use of parallax, off-screen space, compression and speed. If you’re planning to see Transformers 4 — or even if you’re not — just check this out.
by Scott Macaulay on Jul 3, 2014Here is what you read the most at Filmmaker in June, 2014. 1. Jennine Lanouette’s post, “On Finding New Screenplay Structures for Independent Film,” that accompanied what turned out to be a successful Kickstarter campaign, was our more read post for June. Lanouette’s take on how structure represents itself through changes in character and world view as well as literal narrative inspired a thoughtful comments thread too. 2. Ariston Anderson’s “10 Lessons on Filmmaking from” series are always popular, no less so this latest installment, filed from Cannes, featuring Hope and Glory director John Boorman. One lesson — “The script […]
by Scott Macaulay on Jul 1, 2014Last February, Filmmaker exclusively streamed for several days the latest feature from 25 New Face Ian Clark, MMXIII. For what is an experimental film, streaming here and, in the following weeks, on other sites was also an experiment in distribution. As he now reposts MMXIII online for viewing by all, Clark submitted the below comments when we asked him for a post mortem on his internet distribution endeavor. Watch the film above and visit Clark at his website here. I think its fair to say that this has been the most fulfilling project I’ve completed to date, both in terms […]
by Scott Macaulay on Jun 30, 2014A minor traffic stop is a life-changing experience in Paola Mendoza’s short film, Broken Tail Light which stars Jamie-Lynn Sigler and, as her daughter, Heaven King. After viewing, Mendoza, one of Filmmaker‘s 25 New Faces in 2009, points us towards Immigrant Heritage Month.
by Scott Macaulay on Jun 26, 2014Independent filmmakers Lodge Kerrigan and Amy Seimetz will write and direct a Starz cable series, The Girlfriend Experience, based on Steven Soderbergh’s 2009 film. The two also executive produce along with Soderbergh and Philip Fleishman. In Soderbergh’s feature, Sasha Grey starred as a high-priced escort providing a “GFE” — emotional intimacy along with sex. The new series will consist of 13 half-hour scripted episodes. Soderbergh and Kerrigan have worked together before, with the former producing the latter’s Keane. And Seimetz, director of Sun Don’t Shine, was one of four filmmakers cited by Soderbergh at his 2013 San Francisco Film Society […]
by Scott Macaulay on Jun 23, 2014“What is my America?” That was the question asked 50 playwrights by Centerstage, which celebrated its 50th anniversary last year. Their answers were filmed by Hal Hartley, who is exclusively debuting the resulting feature documentary, My America, on Fandor for its SVOD premiere beginning July 4. From Centerstage: Filmed by Possible Films, led by award-winning director Hal Hartley, these 50 monologues by writers including Anna Deavere Smith, Neil LaBute, Christopher Durang, and Lynn Nottage explore our particular American moment—the ideas and people that make the country what it is today. The responses, ranging from the political to the personal, form […]
by Scott Macaulay on Jun 19, 2014Filmmakers, how much attention do you pay to a single body part, to a gesture? This elegantly beautiful supercut on “the tactile world of Robert Bresson” by Kogonada for Criterion shows the great French director’s notoriously precise skill is applied even at the slightest hand gesture. There are no faces in this video yet the drama of these scenes is palpable.
by Scott Macaulay on Jun 19, 2014The Williamsburg-based Northside Film Festival is in swing this week with its typically eclectic mixture of pictures curated by various local film partners (including IFP, Filmmaker‘s publisher) as well as, for the DIY Competition, their in-house team. Below are seven picks for those on the L train this week. More details on these screenings can be found at the Northside site here. i hate myself :). Any cultural critic namechecking Lana, Lena and Leslie (Jamison) while untangling the limits of autobiography, masochistic self-portrayal and the representation of female sexuality in the pornified internet age should reserve a paragraph or two […]
by Scott Macaulay on Jun 17, 2014Director Rania Attieh was born in Tripoli, Lebanon, and her partner Daniel Garcia grew up in South Texas. Their first feature together, Okay, Enough, Goodbye crisscrossed Attieh’s hometown, canvassing 30 locations in 40 days to create a story, they say, that is a “love/hate relationship with the city itself.” So, after that feature won plaudits on the festival circuit — and landed the two on Filmmaker‘s 2011 25 New Faces list — it seems only appropriate that they head to Texas for their follow-up. Premiering tonight at the Los Angeles Film Festival, Recommended by Enrique is described as “a tale […]
by Scott Macaulay on Jun 13, 2014