The Four Eyed Monsters filmmaker is offering a handshake and a hug to the perpetrator if his stuff is returned.
by Scott Macaulay on Jan 29, 2008Over at her Thompson on Hollywood blog, Ann Thompson posts an email she received from indie producer and former distributor Jonathan Dana about “the surfeit of Sundance acquisition titles, many of which remain unsold at fest’s end.” He breaks the indie sphere down into three sections, from the studio specialty titles down to the out-of-nowhere surprises, and concentrates his commentary on the middle sphere, the professionally produced films with name actors that are financed by new money largely based on their presumed marketability. It’s worth a read.
by Scott Macaulay on Jan 29, 2008Tuesday at Sundance I saw two documentaries back to back that each deals with one of this country’s most pressing and complex political issues. Josh Tickell’s Fields of Fuel tackles America’s reliance on imported fossil fuels while Patrick Creadon in his follow-up to Wordplay, IOUSA, wrestles with the exploding United States budget deficit. Both films employ what is now a familiar doc style of exploring political and social issue subject matter: quick editing, talking heads, a chapter-by-chapter structure, use of humorous archival material, and energetic source cue-driven montages. Of the two films, Fields of Fuel is the slicker. It segues […]
by Scott Macaulay on Jan 27, 2008I’ve still got most of my Sundance commentary to get up and I’m on my way to the International Film Festival Rotterdam, where I’ll try to file some short reports on the fest and the concurrent Cinemart, which is a great financing conference that plans, this year, to begin a dialogue about how it can be reshaped for the future. (Full disclosure: I’m on the CineMart’s Advisory Board.) From the festival’s Tiger Daily: Eschewing conference and panel formats and instead deploying the tried and tested device of brainstorming towards a consensus, IFFR management and industry experts will sit down this […]
by Scott Macaulay on Jan 25, 2008While Jamie Stuart has been here at Sundance shooting the goings on, NPR has been shooting him for a short video segment that’s now up on their website. We have no idea what Jamie will turn in this year, although we do know that it won’t be all shot in the Albertson’s parking lot.
by Scott Macaulay on Jan 25, 2008Here’s a short piece on Clark Gregg’s Choke, one of the few Sundance pics to have secured a deal mid-festival. (Hat tip: Hollywood Elsewhere.)
by Scott Macaulay on Jan 24, 2008Sharon Swart and Mike Jones in Variety are reporting that Courtney Hunt’s Frozen River, a character-based thriller starring Melissa Leo which was the first film I saw at Sundance and one of the best, has sold to Sony PIctures Classics for a low-to-mid six-figure sum. I’ll try to get some further thoughts about this film up on the blog before the end of the festival.
by Scott Macaulay on Jan 23, 2008Writer and d.p. David Leitner sent us this report about two new cameras that can be seen here at the Sundance Film Festival.Located in the basement of a small commercial mall on upper Main Street across from the Egyptian theater, the annual Sundance technology showcase known as New Frontier on Main is particularly worth a visit this year due to two product introductions poised to rock the world of low-budget HD indie production. Word is already out about Sony’s EX1, a Handycam-type camcorder bearing both XDCAM EX and CineAlta logos for a strikingly low $7,790 suggested retail price. In a nutshell, […]
by Scott Macaulay on Jan 23, 2008… over at the Filmmaker Director Interviews.
by Scott Macaulay on Jan 23, 2008Sad, sad news about a great actor who meant so much to the film community. We extend our deepest condolences to his family and friends.
by Scott Macaulay on Jan 22, 2008