Authors — Scott Macaulay

THE RIGHT WAY TO PAY

Over at his CinemaTech blog, Scott Kirsner receives an email from Dovetail CEO Jason Holloway about the current debate over just how content creators should be compensated for the online viewing of their work. Holloway discusses the pros and cons of the paid subscription model, the pay-per-download model, and the ad-supported model, and provides an opinion as to which types of content are most appropriate for each model. I’m with Kirsner in believing that there is considerable untapped promise in the pay-per-download model (essentially, this is the model of the iTunes Store), but Holloway makes some points about the value […]
by Scott Macaulay on May 23, 2007
SCENES FROM MISTER LONELY

For those of you who, like me, didn’t make it to Cannes this year to see Harmony Korine’s new feature Mister Lonely, here’s a teaser: a couple of clips have popped up online on a site entitled Fest 21 and are embedded below:
by Scott Macaulay on May 22, 2007
U2 LIVE ON THE CANNES RED CARPET

Here’s U2 performing live on the red carpet of the Palais at Cannes to launch their new U23D concert film directed by Mark Pellington and Catherine Owens. (Hat tip to Variety‘s Dana Harris and GreenCine, which has more links.)
by Scott Macaulay on May 20, 2007
CAN INDIE DIRECTORS EVER REALLY ROCK OUT?

Producer Ted Hope sent in the below rumination on indie film and rock music for the blog. It was presumably prompted by two projects. Hope produced Hal Hartley’s latest, Fay Grim, which opened this weekend. As Hope notes, Hartley has made a “true rock gesture” in all of his films; he’s a director who seems to follow current music, incorporate it into his films, and, through his forays into music video, actively approach it on its own terms.. Also, this week Hope announced The Passenger an Iggy Pop bio-pic set to be directed by Nick Gomez and star Elijah Wood […]
by Scott Macaulay on May 20, 2007
A HIGH BAR TO CROSS

Today Anthony Kaufman revives memories of Cannes past with the below clip of Robert Bresson and Andrei Tarkovsky being presented with prizes by Orson Welles: … which gives me an excuse to post an amazing Tarkovsky shot from The Mirror. And then this brilliant sequence from Bresson’s Pickpocket.
by Scott Macaulay on May 18, 2007
GRIM TIMES

If you’re used to checking out this blog and not the main page, surf over there for Nick Dawson’s interview with Hal Hartley, whose Fay Grim opens today. An excerpt: I’m one of those people who doesn’t think the world has changed any at all since 9/11. It just seemed to be almost inevitable, something like that. That’s one of the reasons why the backstory of Fay Grim goes all the way back into the ’80s. I was trying to sketch out the continuity of all this hanky-panky between the security agencies of the world. I think you’re right in […]
by Scott Macaulay on May 18, 2007
MUSIC FOR FILMS

As guitar player for the band Interpol, Carlos D must be prepping for the release of their third album, Our Love to Admire, in July. But, as Pitchfork reports, he is also seriously and quite publicly pursuing a career as a film composer. He’s got a separate site to promote his scoring skills where you can hear what he would have done had he scored The Devil Wears Prada and Ice Age 2. From the bio on the site: Carlos is an aspiring film and tv composer in addition to playing bass and keyboards in Interpol. His understanding of harmonic […]
by Scott Macaulay on May 18, 2007
FLAVORFUL

Over at the main page check out Howard Feinstein’s just-posted interview with Wong Kar-wai about his My Blueberry Nights, the opening night film at Cannes.
by Scott Macaulay on May 16, 2007
FACE OFF

Via Movie City News comes this fascinating story from BBC news: An Austrian filmmaker has come up with a novel way of avoiding the costs of creating a movie – by making her film entirely from images of real life captured by CCTV cameras. Called Faceless, the film is the project of London-based Manu Luksch, who is both the star and director and describes it as a “science fiction fairy tale”. By taking CCTV of herself and blocking out the faces of anyone else captured on it, she created a story set in the future, in the “faceless world” – […]
by Scott Macaulay on May 15, 2007
CULTURE CZARS

The long-running French film journal Cahiers du Cinema recently launched an online English-language edition. In the current issue there’s a provocative article by the editors entitled “12 Objectives for Cinema in France” that I’ve been meaning to comment on. Written before Sarkozy’s victory — a prospect Cahiers clearly considered when drafting the article — the piece is interesting for what it says to some of us American fans of French cinema as well as for its implications on our own American indie film. (For more on the possible repercussions of Sarko’s win and what his promised “break with the past” […]
by Scott Macaulay on May 14, 2007

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