Authors — Scott Macaulay

NOT QUITE A TOP TEN

There’s a fun piece in The Guardian today by John Patterson in which he lays out his ten films that made today’s cinema. It’s not a “ten best” list but instead a “ten most influential,” and not in a fussy, highbrow sort of way either. For example, here’s Patterson on his numbers four and five: “4. The Brady Bunch Movie (Betty Thomas, 1995) and 5. Scream (Wes Craven, 1996). Released within six months of each other, these were the first smart-ass stepchildren of the self-referential post-Pulp Fiction effect. The only refreshing way to rehash the blandly inoffensive 70s Bradys was […]
by Scott Macaulay on Aug 19, 2005
AKERMAN REDUX

Our friends over at the essential GreenCine Daily linked to this 1995 interview between media programmer Chris Dercon and filmmaker and artist Chantal Akerman, and that gives me a chance to link back to this blog I wrote a few weeks ago about Akerman’s current gallery installation at the Marian Goodman gallery. At the time I posted it, there were no press images available of the exhibition, but now there’s one, posted here, which captures the double-screen setup onto which Akerman’s quite powerful family history is projected. And here’s Akerman from the interview: “Anyway, I don’t really believe in the […]
by Scott Macaulay on Aug 18, 2005
TEENAGE WASTELAND

Evan Rachel Wood, who I think will be the current teen star to have the most substantive film career, has the pretty terrible Pretty Persuasion opening this weekend, but if you’re a fan I’d head over to Crooks and Liars where they are hosting a Sammy Bayer/Green Day video, “Wake Me Up When September Ends”. With classic Aerosmith and Nirvana videos, Bayer has made a career of glossily capturing the American teen experience. Here he does it again with Wood and Jamie Bell playing out a drama that is a new reality for many of today’s kids..
by Scott Macaulay on Aug 13, 2005
GREEN HEADS BACK TO THE ’70S

Director David Gordon Green will appear this coming Monday night at the IFC Center to host screenings of two of his favorite ’70s films: Michael Cimino’s Thunderbolt and Lightfoot and Sidney Pollack’s Jeremiah Johnson. It’s the debut of the theater’s “Monday Night with…” series at which various artists will, says the press release, “acknowledge the brilliance of a timeless classic, to spotlight an unsung gem, or to defend a guilty pleasure.” Green comments on his choices: “Thunderbolt and Lightfoot and Jeremiah Johnson serve as two examples in a period of American filmmaking when human nature often wrestled Mother Nature, and […]
by Scott Macaulay on Aug 12, 2005
PARTY CRASHER

I’ve only recently glommed on to The Reeler, a new blog hosted by Indiewire, and I have enjoyed editor S.T. VanAirsdale’s (really!) funny and sometimes combative take on our industry. So I was sorry not to bump into him at our Filmmaker “25 New Faces” launch party last week. In his blog he asks readers to email him if they actually spotted a real live filmmaker at the soiree since he didn’t see one there other than a few friends of his. Well, S.T., sorry you didn’t make it to the V.I.P. room, but I was back there chatting with […]
by Scott Macaulay on Aug 11, 2005
PHILOSOPHIZING MEIRELLES

Focus Films co-president James Schamus began his remarks Monday night at the New York premiere of Fernando Meirelles’s fantastic new film, The Constant Gardener, by quoting that “great American philosopher and epistemologist Donald Rumsfeld,” who, in March, 2003, assessed the limits of our knowledge of the situation in Iraq. “There are known knowns,” Rumsfeld said back then. “These are things we know that we know. There are known unknowns. That is to say, there are things that we know we don’t know. But there are also unknown unknowns. There are things we don’t know we don’t know.” Schamus then went […]
by Scott Macaulay on Aug 10, 2005
PETER JENNINGS, 1938-2005

I was never much of an evening news watcher, but when I did turn to one of the major networks for news coverage, it was always to Peter Jennings. There were some great tributes to the late anchor last night on ABC and also CNN, and Jennings’ interest in world news and international reporting was justly lauded. But let me say something here about the unique tone and presence Jennings brought to the news, a reporting style I can’t see duplicated in today’s media. Jenning always brought a cool and respectful point of view to his coverage. He resisted the […]
by Scott Macaulay on Aug 8, 2005
“STORY” SEEMS TO BE THE HARDEST WORD

In the interests of brevity, the headline writers at The Guardian apparently flubbed the Elton John reference with this weekend’s John Patterson piece, “Story is the Hardest Word,” an otherwise recommendable article occasioned on the U.K. release of the Slaughterhouse Five DVD. Patterson discusses various successes and failures involving directors who have brought “unfilmmable” novels to the screen: “The results are only occasionally successful as movies. One that works very well is released this week on DVD: George Roy Hill’s marvellous adaptation of Kurt Vonnegut’s Slaughterhouse-Five, which switches back and forth from the bombing of Dresden, a German POW camp, […]
by Scott Macaulay on Aug 8, 2005
‘A SMALL INDEPENDENT FILM’

As I paged through this piece in the L.A. Times Steven Klein’s 58-page Brad Pitt/Angelina Jolie spread in W Magazine, I thought about the movies. In a world where so many movies just don’t deliver, sometimes you have to find cinematic pleasures elsewhere — in music, in a videogame, or in a fashion magazine. And while I wouldn’t have thought to compare the pages to “a small independent film” (“It wasn’t a photography shoot. It wasn’t a celebrity shoot,” Klein said. “We looked at it like a small, independent film, an investigation into the breakdown of a family”), I did […]
by Scott Macaulay on Aug 2, 2005
PENN JILLETTE’S LONG CON

Over at his Hollywood Elsewhere (scroll down to his “Wired” section), Jeffrey Welles links to this conspiracy theory at the Slumbering Lungfish blog concerning the film The Aristocrats. Blogger Lore Sjoberg hypothesizes that the vaudeville-era dirty joke that is the sole content of the film is actually an invention of Penn Jillette: “My theory: this joke didn’t exist before circa 2001. The actual joke, really, is that they’re making up this dirty joke, having a hundred comedians tell it, and billing it as a documentary with historical significance.” I don’t know — it’s a fun theory, but Waxy.org provides a […]
by Scott Macaulay on Aug 2, 2005

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