Authors — Scott Macaulay

INDIE PRAXIS

Filmmaker readers should check out two essential articles in the Village Voice this week by friends and colleagues Anthony Kaufman and Ted Hope. Both deal with the relationship between our current political climate and the state of indie filmmaking today. Kaufman, who gives up his “NY Scene” column in our magazine this month due to his move to Chicago, asks the question, “Reagan-era callousness sparked an indie film renaissance. Will Bush 2 inspire another?” Kaufman’s piece winds its way through discussions with Christine Vachon, James Schamus and Jeff Levy-Hinte before concluding with a trenchant inquiry by HBO’s Colin Callendar: “Whether […]
by Scott Macaulay on Jan 12, 2005
THE NEW INDIE SCENE… THE GAMING SCENE, THAT IS

One topic Graham Leggat’s Game Engine column in Filmmaker regularly returns to is the rise of “independent gaming” in the videogame world. Just as independent filmmakers reacted against studio monoliths in the ’80s to start a new wave of indie production, there is now a slowly emerging groundswell of developers doing something similar in the world of videogaming. From the Guardian‘s gaming weblog comes this beginning-of-the-year piece, “Nine Foolish Videogame Predictions for 2005.” One of these predictions is “The Rise of the Indie Scene”: “The dominance of EA doesn’t necessarily mean the death of smallscale videogame production. Far from it. […]
by Scott Macaulay on Jan 8, 2005
LIKE SUNDANCE USED TO BE…

From a story in Variety: “The porn industry’s AVN Adult Entertainment Expo has always been a colorful, if slightly tawdry, event, a reliable resource for camera crews looking to goose news ratings in the name of covering the multibillion-dollar adult entertainment industry. However, in what is the AEE’s seventh year since splitting away from Las Vegas’s concurrent Consumer Electronics Show, the porn event has begun to look a little more like Park City… Like the Sundance Film Festival of a decade ago, the once scrappy trade show has begun to make big deals with corporate sponsors. It’s attracting celebs who […]
by Scott Macaulay on Jan 6, 2005
ARTISTS FOR TSUNAMI RELIEF

A few days ago we posted an email from independent producer Tanya Selvaratnum about the devastating effects of the tsunami in her homeland of Sri Lanka. Now, Selvaratnum in conjunction with Syndicate is organizing a benefit in New York on January 20 in which 100% of the proceeds will go towards tsunami relief. There will be appearances from Angela McCluskey, Metro Area (Morgan Geist + Darshan Jesrani), Moby, Vernon Reid, DJ Rekha, Anna Deavere Smith, DJ Spooky, and Colson Whitehead. The Benefit Committee consists of: Alpana Bawa, Claude Arpels & Winsome Brown, Jennie Boddy, Gabri Christa & Vernon Reid, Nathan […]
by Scott Macaulay on Jan 6, 2005
TALES OF BUBBA

Interesing news via Variety (registration required) today. Producer Michael London is partnering with Tom Cruise and Paula Wagner to produce for Paramount “a coming-of-age film about James ‘Bubba’ Smith, a teen who is to motocross racing what Tiger Woods is to golf.” It’s interesting not just because this story seems to be staking out some territory before a new Paramount head, presumably Brad Grey, comes in (says Variety, somewhat obliquely, “In an unusual development, Par topper Donald De Line has allowed development to progress without assigning an exec. The producers wanted it that way so they could flesh out their […]
by Scott Macaulay on Jan 6, 2005
DESPERATE CRITICS

A TV show used to be many years in syndication before it became critical fodder for academics and intellectuals. But as it has swiftly climbed the ratings ladders, Desperate Housewives has also attracted notice from the sorts of writers who wouldn’t normally stoop to covering TV. Like Germaine Greer. Here’s the author of The Female Eunuch on the hit ABC show, as reviewed in The Guardian: “The series has nothing to say about the vicissitudes of the average or even the well-to-do American stay-at-home wife; it is neither feminist, nor pro-feminist nor proto-feminist nor post-feminist. Feminism has as little to […]
by Scott Macaulay on Jan 5, 2005
EIGHT IS ENOUGH

Via press release we learned of producer Effie T. Brown’s ambitious new production and development slate — eight pictures ranging from a horror movie with a black cast to a couple of period dramas. She also announced that her production company, Duly Noted, has a first-look deal with HBO’s Original Programming Department. Brown, who received the IFP Producing Spirit Award three years ago, has been a producer on several HBO movies, including Real Women Have Curves, and The Stranger Inside, and she was also Executive Producer of Jane Campion’s hugely underrated In the Cut, which is on cable a lot […]
by Scott Macaulay on Jan 5, 2005
PRODUCER REPORTS ON SRI LANKA AND TSUNAMI RELIEF

Indie producer Tanya Selvaratnum (On Line) sent an email out last week to her friends detailing the devastation that occured in her native Sri Lanka due to the tsunami. Her own family is safe but a number of family friends were lost, and Selvaratnum notes that 1/13th of the country’s entire population has been displaced by the disaster. In trying to figure out the best way to donate relief, she contacted the Sri Lankan government: “Something hilarious happened when I tried to contact the Sri Lankan government directly. I emailed the Prime Minister asking how we expats can help the […]
by Scott Macaulay on Jan 4, 2005
Artist and Filmmaker Gretchen Bender Dies at 53

I learned over the holidays that artist Gretchen Bender, whose intelligent, visually seductive work crossed lines between visual art and film, sculpture and video, died in New York on Sunday, December 18 of cancer. She was 53. Bender, who, early in her career exhibited at the East Village Nature Morte Gallery and later Metro Pictures, created conceptually concise and elegant work that often critiqued mainstream media and the power imbalances contained within its representations. And while many artists at this time were working with appropriation and engaging in similar sorts of critique, Bender’s work always cunningly embodied within itself a […]
by Scott Macaulay on Jan 3, 2005
TALES FROM THE DARK SIDE

“Adam and Eve” files, darknets, curries, topsites — no, I’m not referring to some kinky download website but rather the topics discussed in Wired Magazine’s essential January cover story by Jeff Howe referred to in the post below, which has just been posted online. It’s a look at how pirated material winds up on the web and for those who imagine it’s via teenagers sharing files with their friends, think again. The pirate internet distribution system is as rigidly controlled and hierarchical as the studio system except it boasts an entirely different group of players competing not for dollars but […]
by Scott Macaulay on Dec 30, 2004

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