On the first day of any given screen-acting class at Northwestern University, it’s not uncommon for me to be facing down a bifurcated group of eight theater students and eight film students. As I sit on the receiving end of nerve-wracked glares, listening to introductory tales of middle school plays and high school short films, of little to some to no experience, I seek to comfort and calm with one simple statement: Everything you need to know about film acting you can learn in 30 seconds. It’s only now that I realize I’ve been lying to them. It is one […]
by Stephen Cone on Jun 19, 2019My origins as a filmmaker split the past 25 years in two. I’m now nearly as close in time to my debut efforts as I was to the early 1990s American New Wave when preparation for those efforts began. As an aspiring filmmaker with no formal film training, nothing was more inspiring to me during the mid-aughts than soaking up the narratives of DIY filmmakers who took it upon themselves to make something from nothing, way back in the grand ol’ 20th century. In reviewing the logistical and budgetary recaps presented in these pages by Peter Broderick more than two […]
by Stephen Cone on Sep 14, 2017“Don’t you ever want an objective pair of eyes?” “Have you ever thought about working with an editor?” “Yes” and “yes” are the answers to questions asked of me and other filmmaker/editors over the years about this dual position, which, for either budgetary or artistic reasons, usually extends into self-music and postproduction supervision. Much like that against playwrights directing their own work, there is often a stigma against directors editing their own films, even as, in our ever-overcrowded filmmaking landscape, there are inevitably more filmmaker/editors, each with a mindset and motive different from the next. For some, it’s an easily […]
by Stephen Cone on Oct 28, 2015