Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s my last dispatch of the year—I’ll be back with another newsletter the first full week of January—as the Oscar campaigning unofficially pauses for the holidays. The last major awards event of the year will take place on Dec. 17, when the Academy announces the shortlists for 10 categories: documentary feature, international feature, animated short, documentary short, live-action short, original score, original song, makeup/hairstyling, sound and visual effects. Then, the Golden Globes on Jan. 5… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. We’re now five weeks away from the Jan. 17 Oscar noms, and the last few days have seen which campaigns are working—at least with critics and whoever is voting for the Golden Globes these days. And miraculously, no main frontrunner has emerged in the best picture race, although the sure things are making themselves known. Over the last week, while publications began rolling out their year-end lists, critics in New York and Los Angeles voted… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s now primetime for FYC campaigning. I was inundated with digital codes and old-school DVDs early last week; studios know that voters—at least American ones—might have had lots of downtime and perhaps visiting family members to entertain. What better way to treat your guests than showing them A24’s entire 2024 slate (with the exceptions of the still-unreleased Babygirl, The Brutalist and Queer)? There were also a slew of FYC events in Los Angeles ahead of… Read more
While it’s not uncommon for a filmmaker to earn an Oscar nomination for directing their first narrative feature—directors to do so since the turn of the century include Emerald Fennell, Jordan Peele, Benh Zeiltlin, Tony Gilroy, Rob Marshall and Spike Jonze—it’s very rare for a film debut to win best director. Only six have accomplished the feat: Marty’s Delbert Mann, West Side Story’s Jerome Robbins (sharing the Oscar with co-director Robert Wise), Ordinary People’s Robert Redford, Terms of Endearment’s James L. Brooks, Dances With Wolves’ Kevin Costner and American Beauty’s Sam Mendes. This year, the best director race is packed… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. At this year’s 35th annual Producers Guild Awards (which took place on Feb. 25, two weeks before the March 3 Oscars), Netflix’s American Symphony took the prize for best documentary feature. The Matthew Heineman-directed film followed musician Jon Batiste’s meteoric year in which he won five Grammys (including album of the year) and premiered a new composition at Carnegie Hall—all while his wife, journalist and artist Suleika Jaouad, fought a rare form of leukemia. One… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. I really didn’t want to write a newsletter about how a Trump victory might disrupt an already chaotic Oscar season, but here we are. When I had multiple publicists reaching out about their films on Thursday morning, proving our post-election malaise was limited to a single day, I realized that the show must go on—and the show, I fear, might become a lot dumber. I can’t help but think back to the 2017 Oscars, in… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. Here we are, on Election Day — or, if you didn’t prioritize reading this newsletter on Tuesday, Election Week — and there’s no better distraction from the realities of the world and its discontents than the movies. Or, at least that’s what I’m telling myself. If your election anxiety was triggered in the middle of Focus Features’ Conclave, you’re not alone. I’m very curious to see how that movie in particular will be received post-election,… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. If there’s one topic more troubling to me than catfiegory fraud — something we’ll get into in a future newsletter, I guarantee — it’s the notion of celebrating Halloween in November. But since Halloween falls on a Thursday this year, I’m afraid I’ll lose this battle; it’s looking like we’ll have two consecutive Halloween weekends this year and there’s nothing I can do about it but throw a side-eye to my friends’ upcoming Instagram posts. … Read more
At this stage in the season, when it is entirely too early to make any meaningful predictions about what the Oscar nominees (much less the winners) will be, I like to look back at the Academy’s recent history to identify trends that can give us an idea of what voters are into, generally speaking. It’s not an exact science, of course — the contenders are drastically different every season — but there is one trend that I’ve noticed shaking out over the last decade or so: The Oscars for best original screenplay and best adapted screenplay are more likely to go… Read more
Earlier this week, Filmmaker launched a new newsletter, Considerations, by Tyler Coates. Following and handicapping the annual film industry awards races, Considerations will feature sharp commentary on the pictures, the players, the money and the spectacle. Subscribe here to receive it for free, and first, every Tuesday. — Editor The best way to begin this newsletter is with an introduction and a list of my bonafides. I was previously the awards editor at The Hollywood Reporter, where I’d been covering the Oscar and Emmy races since 2019. I’ve spent over a decade in the digital media content mines, having also… Read more
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