Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. This is my final Considerations of the season—a somewhat bittersweet statement to write. It’s been a lot of fun covering this wacky and wild Oscar season, even as I (along with so many other folks I’ve spoken to over the last few weeks) am also extremely ready for it to be done. But with voting closing on Feb. 18, we’ve basically reached the end of the line for campaigning. And what a season, one that… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. While this Sunday was the Super Bowl (and, because I’m always rooting for Bradley Cooper, I’m thrilled the Eagles won), Saturday was just as important for the awards race. If you had asked me on Saturday what would win best picture—and many people hounded me for an answer—my reply would have been: “I don’t know!!!” Hours before both the Directors Guild Awards and the Producers Guild Awards, NEON hosted a toast to Anoraand Sean Baker… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. In October, I told (warned?) a publicist friend that it wouldn’t surprise me if we saw some old-fashioned, Weinstein- and Rudin-style opposition campaigning this Oscar season. Back then, the prominent narrative was that the field was wide open without a clear frontrunner, and most of the studios and marketing agencies were operating with smaller budgets. By this time last week, the only controversies were about the use of AI to perfect the Hungarian accents in… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It rained in Los Angeles this weekend, and the way the phrase “we needed this” became a meme felt like a collective awkward laugh followed by a sigh of relief. For the past few weeks almost everyone has been on edge, many mourning massive losses from the fires in the Palisades and Altadena. Wind advisories meant our go-backs were still packed, phones facing up in case of Watch Duty notifications. (Oh, and a lot of… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. This is the most important week of Oscar campaigning, the conclusion to what we collectively refer to as Phase 1: A slew of guilds announce their nominees this week (including the DGA, PGA and SAG, plus sound editors and mixers, art directors and cinematographers), and the Academy opens nominations ballots on Wednesday before closing the voting window on Sunday. (As such, campaign spending pauses from the end of voting until the nominations are announced on… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s my last dispatch of the year—I’ll be back with another newsletter the first full week of January—as the Oscar campaigning unofficially pauses for the holidays. The last major awards event of the year will take place on Dec. 17, when the Academy announces the shortlists for 10 categories: documentary feature, international feature, animated short, documentary short, live-action short, original score, original song, makeup/hairstyling, sound and visual effects. Then, the Golden Globes on Jan. 5… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. We’re now five weeks away from the Jan. 17 Oscar noms, and the last few days have seen which campaigns are working—at least with critics and whoever is voting for the Golden Globes these days. And miraculously, no main frontrunner has emerged in the best picture race, although the sure things are making themselves known. Over the last week, while publications began rolling out their year-end lists, critics in New York and Los Angeles voted… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s now primetime for FYC campaigning. I was inundated with digital codes and old-school DVDs early last week; studios know that voters—at least American ones—might have had lots of downtime and perhaps visiting family members to entertain. What better way to treat your guests than showing them A24’s entire 2024 slate (with the exceptions of the still-unreleased Babygirl, The Brutalist and Queer)? There were also a slew of FYC events in Los Angeles ahead of… Read more
While it’s not uncommon for a filmmaker to earn an Oscar nomination for directing their first narrative feature—directors to do so since the turn of the century include Emerald Fennell, Jordan Peele, Benh Zeiltlin, Tony Gilroy, Rob Marshall and Spike Jonze—it’s very rare for a film debut to win best director. Only six have accomplished the feat: Marty’s Delbert Mann, West Side Story’s Jerome Robbins (sharing the Oscar with co-director Robert Wise), Ordinary People’s Robert Redford, Terms of Endearment’s James L. Brooks, Dances With Wolves’ Kevin Costner and American Beauty’s Sam Mendes. This year, the best director race is packed… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. At this year’s 35th annual Producers Guild Awards (which took place on Feb. 25, two weeks before the March 3 Oscars), Netflix’s American Symphony took the prize for best documentary feature. The Matthew Heineman-directed film followed musician Jon Batiste’s meteoric year in which he won five Grammys (including album of the year) and premiered a new composition at Carnegie Hall—all while his wife, journalist and artist Suleika Jaouad, fought a rare form of leukemia. One… Read more
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