The Sundance Institute announced today that, beginning in 2027, Boulder, Colorado will be the new home for its Sundance Festival. Commented Amanda Kelso, Sundance Institute acting CEO in a press release, “Boulder is an art town, tech town, mountain town, and college town. It is a place where the Festival can build and flourish. This is the beginning of a bold, new journey as we invite everyone to be part of our community and to be entertained and inspired. We can’t imagine a better fit than Boulder.”
From the press release:
Together with the Boulder host committee, the Institute envisions the heart of the Festival centered in downtown Boulder utilizing a wide array of theaters and venues, and incorporating spaces around the… Read more
Filmmaker is proud to continue our annual partnership with the Filmfort Film Festival by exclusively hosting eight short films from this year’s lineup, which will be available to view on our site through Saturday. The four-day festival, which occurs during the Treefort Music Fest in Boise, Idaho, highlights an array of emerging independent cinema. Alongside robust film programming, Filmfort also features DIY panels and filmmaker Q&As in the heart of the city’s downtown area.
See the Filmfort '25 line-up here, and check out this year’s selection of films below.
A Floresta
dir. Brooks Dierdorff
2024, USA/Brazil, 16 mins
Synopsis: An experimental portrait of overlapping histories, extractive capitalism, rewilding, and the tension between nature and its representation—all within the boundaries of Tijuca National Park in Rio… Read more
To this cranky viewer constantly engaged in a battle to limit his social media time, the concept of Tracie Laymon's debut feature, Bob Trevino Likes It, almost feels like time-travel science fiction, a trip back to a world where social media provided positivity and good vibes, not toxic rancor, nefarious scammers and wellness grift. In the comedy drama, now in release from Roadside Attractions, an adrift young woman, Lily Trevino (Barbie Ferreira), who is forever let down by the gross insensitivities of her biological father (French Stewart), finds both a pal and needed self affirmation by randomly befriending a man on Facebook with the same name as her dad. The ensuing relationship between Lily and Bob Trevino (John Leguizamo) is,… Read more
We have reached a tipping point in the format wars, with UHD poised to overtake standard definition DVDs for first place. Now, there’s a new species of reply guy—one who responds to every Blu-ray release announcement with, “Why no 4K?” As a home video producer for Kino Lorber, I will try to explain the continuing rise of 4K UHD, as well as the economic realities of why it’s not possible to release everything in the format.
4K UHD (full name: 4K Ultra HD Blu-ray) is the highest resolution disc available and the one preferred by collectors. Introduced in February 2016 with an inauspicious slate including Exodus: Gods and Kings (2014), the discs were too expensive to manufacture outside the major Hollywood… Read more
There has been no shortage of articles recently regarding the premature death of physical media and, most specifically, physical home video. While vinyl LPs have had a well-publicized resurgence in recent years, with much ink spilled about Taylor Swift’s assistance in that area, the opposite could be said for Blu-ray, 4K UHD and DVD, all of which are currently active, disc-based, home video formats vying for consumer shelf space in the studio and the boutique marketplace. Physical media, in general, can feel nebulous; when speaking about it, both positively and negatively, it can be used to cover a swath of tactile physical goods that carry some form of content, whether movies, music, video games or books. Yet, even in the… Read more
When Steven Soderbergh was 13 years old, his father enrolled him in an animation class taught by Louisiana State University students. Soderbergh could draw but quickly became bored with the tedious process of bringing those drawings to life. Instead, he pulled the film camera off the copy stand and began shooting whatever he pleased.
From the very beginning, Soderbergh had no interest in doing things as prescribed. Whether alternating between the commercial and the experimental, challenging traditional release conventions or embracing new technologies in a quest to expedite the filmmaking process, Soderbergh has spent his career upending the status quo.
That iconoclasm extends to his dual life as “Peter Andrews,” the pseudonym Soderbergh has used while serving as his own director of… Read more
With 2017’s Kuso, the first feature from polymath Steve Ellison (a.k.a. musician Flying Lotus, a.k.a. rapper Captain Murphy), a respectable claim is made to the title of history’s most disgusting commercially released film, with such amusements as vomit baths, sentient wart coitus and a large talking cockroach residing in the prolapsed anus of funk godhead George Clinton. Ellison’s comparatively dialed-back followup Ash restricts itself to a combustible head, giving Scanners a run for its money, faces that liquefy like so many crayons under a blowtorch and a malevolent amoeba extracted from a waking patient’s skull via robo-surgery—without anesthetic. Any maturation in his sophomore outing has more to do with form, as the lifelong autodidact—Ellison got his feet wet making stop-motion… Read more
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