Gasoline Rainbow, the seventh feature by Bill and Turner Ross, marks a return to a world of young people familiar from the brothers’s early efforts 45365 (2009) and Tchoupitoulas (2012), which centered, respectively, on residents of Sydney, Ohio and New Orleans, Louisiana. Like those formative works, the duo’s latest is uniquely attuned to adolescent emotions and the rhythms of small town America—except with a broadened perspective and formal command afforded by 15 years of working in a variety of modes and milieus. The film follows five high schoolers from the fictional town of Wiley, Oregon who take to the open […]
Launching in 2017 with a reissue of The Last Movie, Arbelos Films grew out of co-founders’ David Marriott, Dennis Bartok, Craig Rogers and Ei Toshinari’s experiences working at Cinelicious Pics. Since then, their slate of reissues have included Sátántangó, whose restoration opened up a relationship with the Hungarian National Film Archive that’s led to further Hungarian films being put out by the company, including Son of the White Mare and Twilight. In addition to Arbelos, Marriott has now started a second company with Jonathan Doyle, Canadian International Pictures, specifically focused on his native country’s cinema. Invited to the Jeonju International […]
Over the past year and a half, no actor in any medium has given me more inspiration through their work than Mia Vallet. As a company member and frequent performer at the exciting NYC “loft theaters” Adult Film and The Brooklyn Center for Theatre Research, she continues to show the thrilling possibilities for this craft of acting, culminating in her performance as Nina in Sea Gull, Adult Film’s new version of Chekov’s masterpiece, opening on Friday May 10th in Manhattan. On this episode, she talks about her training at the University of North Carolina School of the Arts and early […]
In 2022, Lizzie Borden’s virtually unseen first feature Regrouping was restored and given its first-ever theatrical run. That film joins the now-canonical Born in Flames (1983) and Working Girls (1986) in what some have termed her “New York Feminisms” trilogy, all three of which are now screening together on the Criterion Channel for the very first time. Together, the three films set a blueprint for a contemporary model of feminist filmmaking deeply situated in her place and time that prioritized discussion and conflict as ways of building something new. A long-time fan and recent friend of Borden, I sat down […]
Fifteen minutes into John Rosman’s elegantly scripted and emotionally harrowing debut feature, New Life, you’re wired into the psyche of Jessica Murdock, a young woman fleeing an unspecified old life and grappling with primitive elements of survival: where to sleep and what to eat. And, within a few scenes, where to live, find a job and rebuild. In her impressive feature debut, a fierce Hayley Erin brings both a feral intensity as well as a wary calm to these moments, which are of the sort found in many independent films dealing with women leaving bad relationships, or of those searching […]
Through chronicling a critical turning point for the residents of Chicago’s now-defunct Cabrini-Green public housing project, writer-director Minhal Baig’s We Grown Now explores how the reverberations of this bygone time and place continue to register today. Set in 1992 amid the real-life death of 7-year-old Dantrell Davis—who was walking to school with his mother when a stray bullet struck him—Baig’s film follows young boys Malik (Blake Cameron James) and Eric (Gian Knight Ramirez) as they grapple with the aftermath of the tragedy. Despite the oppressive living conditions due to Chicago Housing Authority (CHA) negligence, Malik’s home life is replete with […]
Judy Reyes is best known for playing Carla on the TV series Scrubs, but her nearly three-decades-long career is packed with roles on long-running shows like Devious Maids, and in movies like Birth/Rebirth, for which she was nominated for an Independent Spirit Award for Best Actress. Her latest is Hannah Marx’s highly anticipated screen version of John Green’s celebrated novel Turtles All The Way Down (coming to MAX on May 2nd). On this episode, she takes us back to the beginning—her “dramatic” childhood household serving as a form of acting training, defying her mother when she wanted to actually be […]
The Sundance Institute announced today the the fellows selected for its 2024 Directors, Screenwriters, and Native Labs. The Native Lab in New Mexico will support four fellows and two artists in residence, and the Directors Lab in Colorado will support the development of eight projects with nine fellows, with an additional three fellows also joining for the online Screenwriters Lab held immediately after. For the first time the Directors Lab will be held at the Stanley Hotel in Estes, Colorado — Stephen King’s inspiration for The Shining — while the Native Lab will be returning to Santa Fe, New Mexico, […]
French director Laurent Cantet, whose films include Human Resources, Heading South, The Workshop and his Palme d’Or-winning The Class, died today at the age of 63. With this sad news we are reposting Brandon Harris’s interview with Cantet about The Class from our Spring, 2008 print edition. — Editor Starting with 1999’s Human Resources, Laurent Cantet has quickly built an international reputation as France’s most socially engaged narrative filmmaker, crafting films that highlight the ever lingering issues of race and class in both France and, as in the case of his 2006 film Heading South, its former colony of Haiti. With […]
New York-based Argentinian director Matiás Piñeiro’s work is without a doubt, a celebration of intertextuality. After continuously exploring the female roles in Shakespeare’s comedies from 2011’s Rosalinda up until 2020’s Isabella, he was drawn to a text which seemed impenetrable, admitting he had no clue how to film a poetic dialogue. In order to collect the shots for the adaptation-film-collage that would become You Burn Me, the filmmaker traveled between New York and San Sebastian (where he teaches at the EQZE film school, Elías Querejeta Zine Eskola), which gave him the possibility to “develop the material, watch it and think […]