779 Results for “cheap”
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The Future Looking Back At Us: Joanne McNeil on Cyberpunk
This year is the 40th anniversary of William Gibson’s classic novel Neuromancer. It’s a work of singular brilliance that arrived as part of a new vanguard. Back in 1984, in the Washington Post, author and editor Gardner Dozois identified Gibson as part of an emerging trend: new science fiction authors who had eschewed formulaic space operas for “bizarre hard-edged, high-tech stuff.” Dozois called these authors the “cyberpunks,” and the label caught on. Key works of cyberpunk like Neuromancer were produced in the ’80s alongside the boom in personal computers, and again in the ’90s as subscriptions to online services and […]
by Joanne McNeil on Sep 18, 2024 -
Streaming 3D on the Apple Vision Pro
In the first week of January, I received an email from a programming manager at MUBI—arguably, the leading global streaming platform for arthouse and independent cinema—telling me that the company was working on a new project that would allow it to present stereoscopic (3D) films on its service in the immediate future and asking about the availability of my films’ materials and SVOD rights. Intrigued and perplexed, I verified that I had the rights to all of my solo projects and told MUBI it could include whatever it wanted. A week later, MUBI licensed non-exclusive U.S. and Canadian streaming rights […]
by Blake Williams on Sep 18, 2024 -
TIFF 2024: Cloud, The End
Waiting for Kiyoshi Kurosawa’s Cloud to start, I wondered how much time I’d spent over the years watching his signature warehouses, offices and apartments. The man loves a purpose-built soundstage set, the drabber the better but counterintuitively showcased under unrepentantly artificial lighting—one rung down from “Lynchian” in terms of overt ominousness but similarly ready to radiate menace. Those sets’ simplicity offsets his films’ often elevated eccentricity levels, though by Kurosawa’s standards Cloud is comparatively sedate insofar as it has a fully explicable plot: Online reseller Ryosuke Yoshii (Masaki Suda) offloads one too many shoddy knockoff goods, attracting the ire of […]
by Vadim Rizov on Sep 11, 2024 -
The Devil, Most Definitely: Christopher Jason Bell on His Ten-Part Archival George W. Bush Docu-Series Miss Me Yet
“When George W Bush becomes president, for the first time, I knew someone dumber than me was president, and the whole fucking thing fell apart. It’s all been a house of cards, it’s all been a shell game, and a mirror illusion, and George W. Bush made it so you could finally see through the mirror, at all the wrong angles.” — Quentin Tarantino. Over the last four presidential administrations, Christopher Jason Bell has produced an estimable body of work, directing more than13 shorts and three features, devoted to creating off-beat, experimental, and challenging microbudget cinema, spanning narrative, documentary and […]
by Evan Louison on Sep 6, 2024 -
“Sit Here. Stand Here. Work Here. Slap Her Here”: Lav Diaz and Hazel Orencio on Phantosmia
Since the late 1990s, Lav Diaz’s cinema has explored the Philippines’ troubled history with colonization, authoritarianism, corruption, poverty, macho-feudalism and the tensions that animate and enliven the sociopaths of today. His durational works are simultaneously a test of patience and spirit and assertions that the stories of Filipinos deserve time and space to unfold in all of its complexities. Diaz’s works paint portraits of good men and women whose morals disintegrate along with their minds, poisoned by the pressures of the world, leading them to commit uncharacteristic acts of violence one would think they are too progressive or too intelligent […]
by Jason Tan Liwag on Sep 3, 2024 -
Screening Before the Storm: Drowning in Anxiety at Fantaspoa
The rain started just as our plane took off from Porto Alegre, sealing our narrow escape. Forty-eight hours later, the airport was underwater, as Brazil’s Rio Grande do Sul faced its worst flooding in nearly a century. How could this happen? We had just premiered my new film there a few nights before. Was it a dream? A quick glance at my arm confirms otherwise. Like many filmmakers who attend the so-called “coolest” of the Méliès Federation’s consortium of fantastic film festivals, I got inked by Laiss, a native tattoo artist who specializes in blackwork. Mine is a simple line drawing […]
by A.D. Calvo on Jul 10, 2024 -
Once Upon a Time on the Lower East Side
In an excerpt from her new memoir, director Susan Seidelman reflects on the beginnings of her breakthrough 1982 feature Smithereens. bad girls (donna summer) I started to notice a certain type of girl hanging around the downtown club scene. I won’t call her a groupie, but she had elements of that. She was someone looking for excitement. Driven by a need to feel special, eager for recognition despite no discernible talent … and inclined to sleep with anyone in a band. Like me, she came from a place she wanted to escape. Bit by bit, I began to draw a […]
by Susan Seidelman on Jun 27, 2024 -
Crosstown Connections: The Cinephilic Community Building of the Tallgrass Film Center
A group of about 20 people trickles back into the green-lit microcinema after intermission smoke breaks to witness burlesque artist Emerald Spectre perform a striptease. Spectre comes out dressed as Halloween’s Michael Myers, complete with a prop knife dipped in red glitter, and dances to Radiohead’s “Creep.” Over the next ten minutes, the killer’s taciturn visage morphs into that of a gorgeous pin-up wearing strappy lingerie whose pasties occasionally fall out of place, prompting demure attempts at modesty. When we return to our regular programming, 2002’s Halloween: Resurrection, the audience shouts, “Beat his ass, Busta!” I’ve been to my fair […]
by Jeromiah Taylor on Jun 27, 2024 -
True Crime Schedules and Teams
The Alliance of Documentary Editors published scheduling guidelines that suggest one month per ten minutes of finished content as a reasonable editing timeline for the “average” documentary, with adjustments based on quantity of footage, team members’ experience levels and so on. For a single episode of a miniseries, the guide recommends “20 to 24 weeks for a full hour (60 min)” as a starting point. (I am a member of the organization but had no involvement in this paper.) True crime editors report that, increasingly, edits are falling well short of those benchmarks, for reasons that are complex and reflect […]
by Daniel Garber on Jun 27, 2024 -
Internal Lives: Annie Baker on Janet Planet
For a playwright, making their feature directorial debut comes with a certain degree of anticipatory hype, and the results are evaluated with a fine-toothed comb to make sure they aren’t too “wordy” or “stagey.” As with David Mamet’s House of Games, Kenneth Lonergan’s You Can Count on Me, John Patrick Shanley’s Joe Versus the Volcano or Celine Song’s Past Lives, Pulitzer Prize-winning playwright Annie Baker’s Janet Planet should put any fears to rest as to how the director would take to creating specifically for the screen. Not that there should have been any doubt: Her interests have long been steeped […]
by Erik Luers on Jun 27, 2024
