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“It’s People Struggling To Be Something Other Than What They Are”: Writer/Director Robert Towne on Making L.A. Movies
Ask the Dust
Legendary writer/director Robert Towne, whose screenplays include Chinatown and Shampoo and films include Personal Best and Tequila Sunrise, died yesterday in Los Angeles at the age of 89. On this sad occasion we're reposting Matt Ross's print edition interview with Towne from our Spring, 2006 issue. Below, the two discuss Towne's adaptation of John Fante's Ask the Dust, the financing difference between studio and independent films, and why Towne keeps returning to cinematic L.A. R.I.P. Robert Towne. — Editor Every city has its quintessential storyteller. And when it comes to Los Angeles, a city whose primary business is itself the process of fantastic invention, that storyteller might well be Robert Towne. In films as chronologically disparate as 1975’s Shampoo and 1988’s… Read more
“You Can’t Only Turn Up and Be Like ‘I’m Going To Show You My Soul’ — No, You’ve Got a Job To Do as Well”: Abbey Lee, Back To One, Episode 298
In the midst of a successful modeling career a decade ago, Abbey Lee’s chance to break into acting came with Mad Max Fury Road. That challenging shoot was the first of many she faced with relish. A scene-stealing role in The Neon Demon followed, then M. Night Shyamalan’s Old, Lovecraft County, and Florida Man, to name a few, and now she stars opposite Kevin Costner in his 2-part western epic Horizon: An American Saga (in theaters now). On this episode, she talks about letting the character find her, the importance of staying malleable, using everything that happens as fuel for the work, and much much more. The second part of Horizon opens on August 16th. Back To One can be found… Read more
Can’t Look Away: How True Crime Series are Edited
Aboard the CrimeCruise
I shouldn’t have been surprised by the number of cadavers I saw—the four-day cruise was, after all, never about the destination (Cozumel?) and entirely about the journey, hundreds of miles through legally murky international waters with the promise of a lethal formula: “Hot sun. Cold cases. Unforgettable vacation.” A marine offshoot of the hugely successful CrimeCon, the 2023 CrimeCruise promised lectures from famous crime scene investigators, podcast hosts and a self-described “walking lie detector” to an almost entirely white, female audience that preferred to avoid sunburns, instead spending time in windowless lecture halls interpreting stippling patterns and keyhole-shaped entry wounds. Those who shelled out extra for a VIP badge could hear war stories from a hunky, bourbon-sipping ex-detective. One amateur-turned-professional investigative… Read more
“Suspense Comes From Air Conditioning”: Lucy Kerr on Family Portrait
Family Portrait
“I thought about The Exterminating Angel,” Lucy Kerr says over coffee as she describes the origins of Family Portrait, her hypnotic feature debut. Indeed, the film’s central conceit hews closely to Luis Buñuel’s 1962 satire, but instead of posh partygoers being inexplicably stuck in a single room, an extended Texas family is unable to get everyone to gather for the titular photo. In particular, Katie’s (Deragh Campbell) pleas for everyone to assemble are frustratingly ignored or otherwise thwarted, especially when the family matriarch (Silvana Jakich) is suddenly nowhere to be found. Wandering around the vast property in search of her mother, Katie seemingly stumbles into a state of fear and confusion as the prospect of taking the following December’s Christmas… Read more
“We Have Regressed Into an Obtuse and Rigid Moral Order”: Catherine Breillat on Last Summer
Samuel Kircher and Léa Drucker in Last Summer
It’s been a long decade’s wait since Catherine Breillat’s last feature, the semi-autobiographical Abuse of Weakness with Isabelle Huppert, but Last Summer shows the uncompromising French filmmaker in top form, at once fierce and precise. Returning to a favored subject—the desires and power dynamics in affairs between adolescents and usually much older adults—Breillat brings in another taboo this time: the messy sexual obsession between a lawyer, Anne (Léa Drucker), and her 17-year-old stepson, Théo (newcomer Daniel Kircher). After Théo comes back to stay at the family’s idyllic home outside Paris, the two carry on secretly until the truth becomes inescapable for her husband, Pierre (Olivier Rabourdin), who also has two very young daughters with Anne. Before Last Summer, Breillat says she… Read more
A Crisis of Faith: Have Funders Lost Faith that Art Films Can Make an Impact?
Marcel the Shell with Shoes On
In April, the collapse of Participant Media sent shockwaves through the film industry. How could a 20-year-old company—with box office hits such as An Inconvenient Truth and The Help and 21 Oscars, including two Best Picture winners (Spotlight, Green Book)—close its doors without warning? But earlier that same month, another nearly two-decade-old indie film company made a surprising move that offers potential answers to what happened, how the film industry is changing and how well-meaning financiers are reacting to it. Cinereach, a longstanding nonprofit that has supported hundreds of indie films through grants, financing and mentorship, announced a major shift from auteur cinema booster to “media incubator.” As Cinereach’s new CEO, Jennifer Strachan, says, “We’re definitely not just a film… Read more
“It Was a Deeply Loving Set. Very Intimate. Very Small. Lots of Women”: Janet Planet Star Julianne Nicholson, Back To One, Episode 297
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There are few actors more well respected than the preternaturally gifted Julianne Nicholson. Recent notable credits include August: Osage County, Dream Scenario, Mare of Easttown (which won her an Emmy award), and, her latest, playwright Annie Baker’s first film, Janet Planet. In this episode, she talks in-depth about playing Janet in that remarkable film, her elusive preparation process, getting the environment to settle into her body, actually learning how to do acupuncture, why she lets her instinct lead the way, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. And if you're enjoying what you are hearing, please subscribe and rate us! Follow Back To One on Instagram.
