production | Filmmaker Magazine

Sundance Screenwriters Lab, 2006

The Sundance Institute has just announced the 12 projects selected for the 2006 Screenwriter’s Lab, which takes place in January the week before the Sundance Film Festival at the Sundance Resort. From the press release, here are the attendees and their projects: “Kit Hui (writer/director), U.S.A./China, A BREATH AWAY: As Typhoon Ellen approaches Hong Kong, the residents of a high-rise apartment complex struggle with their individual emotional demons, not realizing they are connected by more than the increasing swarms of flies invading their homes. Born and raised in Hong Kong, Kit Hui emigrated to the United States at age 16. […]

by Scott Macaulay on Dec 17, 2005

THE BARNEY CHRONICLES

Paul Cullum has a great, out-of-nowhere piece in the New York Times on the unexpected collaboration between avant-garde publishing elder statesman Barney Rosset and Chicago-based filmmaker James Fotopoulos. Rosset ran for years Grove Press, publishing works by such authors as D.H. Lawrence, Henry Miller and William Burroughs, and then successfully defending these works from U.S. obscenity charges. When I was a teenager I picked up the Evergreen Review Reader, an anthology of works culled from his literary magazine, and it opened the door for me to a whole world of radical literature and theater. Cullum’s piece is one of those […]

by Scott Macaulay on Dec 4, 2005

“MY HOPE IS GRANDCHILDREN”

The ubiquitous but broke boyfriend-and-girlfriend filmmakers behind Four-Eyed Monsters get another jolt of publicity today as they become the poster children for Charles Lyons in his New York Times piece on the personal financial perils of indie-film financing. From the piece: “[Arin] Crumley and [Susan] Buice spoke about their 14-month ordeal making Four Eyed Monsters, which dramatizes how they met online, and in which they co-star. The movie was well received at its Slamdance Film Festival premiere in January and screened at 16 other festivals. But like so many independent labors of love, it has yet to attract a theatrical […]

by Scott Macaulay on Nov 20, 2005

ALUMNI REPORT

A couple of emails arrived this week announcing new online work from folks who have appeared here or in the print magazine. I wrote about NYU student filmmaker Sam Goetz on this blog when he took to the internet to fundraise for his student short, “Bruno.” “Breaking a record at the school’s production center for most check-outs in one semester, this film was not the easiest to get into the can,” he writes. “Fortunately, everyone put in 110% and bore through the 30+ days of shooting with a champion’s spirit.” He’s got a teaser up on the web now for […]

by Scott Macaulay on Nov 13, 2005

DIVINE NEUROSIS

Artist, filmmaker and production designer Dan Ouellette contributed a thoughtful and in-depth interview with Chris Cunningham to Filmmaker‘s current issue (sorry, it’s only in the print magazine), and today he’s just launched his new website, Neurotica Divine, which has to be one of the best personal artist sites I’ve seen. At the beginning of his film career Ouellette was known for his production design of Hal Hartley’s early work. More recentlly Ouellette production designed Alice Wu’s Saving Face. But Ouellette has always been a vivid visual artist whose work combines science-fiction and horror imagery with dashes of surrealism and dark […]

by Scott Macaulay on Nov 6, 2005

SCENE 2257, TAKE FOUR

Just below I linked to The Hollywood Reporter about the movie industry’s slow awakening to the impact on the Justice Department’s 2257 regulations on both studio and independent production. There’s a bunch of articles on the web this morning about H.R. 3132, the Children’s Safety Act, which passed the House and, if it gets through the Judiciary Committee and passes the Senate, will expand the onerous recordkeeping requirements of the 2257 in alarming ways. A number of the articles are on legal and cyber blogs. Here’s a piece on BoingBoing that details the consequences, and it includes PDF links to […]

by Scott Macaulay on Oct 13, 2005

SCENE 2257, TAKE THREE

Back in July I posted this blog about the Federal Government’s new “2257” regulations and wondered why the independent film community, which can mobilize armies at the withdrawal of promotional screeners, has had so little to say about this bill which, while targeting the adult entertainment industry, looks to spread quite a bit of collateral damage. A week later I posted again after some readers added their own comments to the end of my original article. Now, today, finally, I read in The Hollywood Reporter a piece by Brooks Bollek which describes a ‘buried clause” in the regulation that could […]

by Scott Macaulay on Oct 12, 2005

BLOGLESS AND CLEARANCES

I haven’t been posting much recently due to an overall work crunch — the putting to bed of the new Fall issue of Filmmaker, and two new films my company is producing both going into production. Hopefully I’ll get back into the blogging swing of things in the next few days, but I couldn’t help posting this piece in Variety about Paul Dinello’s film Strangers with Candy. According to the trade, Warner Independent is not releasing the film, which was slated to open October 21, “out of concern that the producers didn’t secure all the needed rights, including for such […]

by Scott Macaulay on Oct 11, 2005

“#2” IS NUMBER ONE

Seattle filmmaker David Russo, one of Filmmaker‘s “25 New Faces of Independent Film,” has begun work on his debut feature, #2, with the support of the Northwest Film Forum and it’s “Start to Finish” grant. The grant was previously awarded to Robinson Devore’s Police Beat, which was one of the best features to premiere at Sundance this past year. Russo’s award-winning shorts include “Populi” and “Pan with Us.” Russo calls the movie “a janitor movie par excellance, designed to be wildly entertaining as it is meaningful. It’s about some hardworking, invisible misfits at the waste end of our wasteful society […]

by Scott Macaulay on Sep 27, 2005

BRION’S CUES

The composer Jon Brion, who has done scores for directors such as Michel Gondry, David O. Russell, and Paul Thomas Anderson, has been getting a lot of ink this week for his producing and arranging work on the new Kanye West album. Here’s Rob Mitchum in Pitchfork Media, who compiles a 70-minute mixtape designed to update you on Brion’s eclectic body of work. From the piece: “The most talked about man in music right now is Kanye West, whose recently-released Late Registration album is already one of the most prominent critical battlefields of 2005. It’s no shocker that an expert […]

by Scott Macaulay on Sep 6, 2005

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