It’s a bit surprising to think that when I last interviewed Nanfu Wang it was for her six-part HBO docuseries Mind Over Murder, which revisited an infamous case of justice gone haywire in a small town in Nebraska back in the 1980s. Which, in terms of subject matter, is a far cry from this year’s followup (also for HBO). Night Is Not Eternal is a deep character study, a format the acclaimed director has long embraced, that charts the rise of Rosa Maria Paya, daughter of Oswaldo Paya, a five-time Nobel Peace Prize-nominated activist assassinated by the Cuban government in 2012. Over seven years, as Paya takes up her late father’s mantle, eventually becoming a respected freedom fighter in her own… Read more
I’ve been making films for many years now, at the unusual intersection of US independent and East-European cinema, and teaching at a university in New York. When COVID hit, it made me re-evaluate everything I was doing. I stopped the projects I was working on as they seemed superfluous in that reality. To me, the global response to the pandemic demonstrated like nothing before the shocking inability of international and national institutions to cooperate and deal efficiently and equitably with a planetary crisis. And now, it almost seems as if nothing had happened; it’s just “business as usual.” But it’s not. We have arguably reached a point where several global crises are converging, yet a disturbing sense of cognitive dissonance… Read more
Actor Timothée Chalamet and director James Mangold will receive the Visionary Tribute for their collaboration on A Complete Unknown, the upcoming Bob Dylan biopic from Searchlight Pictures, at the 34th edition of The Gothams, taking place on Monday, December 2, 2024 at Cipriani Wall Street in New York City. Announced in a press release, the Gotham Visionary Tribute "recognizes groundbreaking collaborations that push the boundaries of storytelling in film." “In A Complete Unknown, Timothée Chalamet and James Mangold have beautifully captured Dylan's emergence in 1960s New York not just as an artistic evolution, but as a meditation on the necessity of change,” said Jeffrey Sharp, Executive Director of The Gotham “Through Chalamet's breathtakingly authentic performance and Mangold's masterful direction, we witness Dylan's… Read more
When she first started filming in the Republic of Artsakh—a small “breakaway” state where most residents were ethnically Armenian, but lived under the control of Azerbaijan—Emily Mkrtichian was planning to portray the pivotal roles local women play 30 years after experiencing a violent war. But her project was thrust in a completely different direction when the small sovereign state became besieged by sudden conflict once again. Taking its title from the opening line of most Armenian fairy tales, Mkrtichian’s feature debut is fascinated with the preservation of a place that no longer exists. For the first half of the film, we simply follow the daily pursuits, musings and aspirations of four Artsakh women. There’s Sosé, a martial artist who is determined… Read more
Threads concerning family, identity and resistance are carefully interwoven in Yalla Parkour, Palestinian filmmaker Areeb Zuaiter’s portrait of Gaza’s scrappy yet talented troupe of parkour athletes. After getting in touch with Ahmed Matar—a young man who dreams of securing a rare visa so that he may attend international parkour tournaments—Zuaiter realizes that by documenting his story, she can reconnect with a facet of her own heritage that she had once felt completely closed off to. While her family originally hails from the city of Nablus in the West Bank, conversing with Ahmed brings out the filmmaker’s own misconceptions about life in Gaza. Via voiceover diary entries to her late mother, Zuaiter reflects on her family’s connection to Palestine, the militarized violence… Read more
Though Debra Granik is no stranger to Sundance — 2004’s Down to the Bone, 2018’s Leave No Trace and 2010’s Oscar-nominated (in four categories) Winter’s Bone all premiered in Park City — I was a bit surprised to see the indie vet’s name attached to a project at the fest’s 40th edition earlier this year. Unlike the director’s prior critically-acclaimed films, Conbody vs Everybody is neither narrative nor a traditional feature doc, but a documentary in five chapters (six at Sundance, of which only parts four and five were screened) that took Granik and her longtime collaborators, EP Anne Rosellini and EP/editor Victoria Stewart, close to a decade to make. Over eight years the team followed Coss Marte, a man on a Herculean mission… Read more
Jacob Perlmutter and Manon Ouimet’s Two Strangers Trying Not To Kill Each Other is as breathtakingly understated as its title is arresting. The doc, which picked up a Special Mention: DOX:AWARD when it world-premiered at CPH:DOX last March, stars the celebrated and prolific photographer Joel Meyerowitz (a two-time Guggenheim Fellow and NEA and NEH awards recipient with 50-plus books and over 350 museum and gallery exhibitions to his credit) and his less famous partner of 30 years, the British artist-musician-novelist Maggie Barrett. It’s also an up close and personal (literally — the filmmaker couple lived with their protagonists during production) encounter with the highs and lows of a long-term relationship, staged in a manner more reminiscent of a theater piece.… Read more