Select stories for the Spring issue are now online. Check out our interview with Steven Soderbergh who talks about his latest low budget project, The Girlfriend Experience. Plus, a Q&A with the film’s star, Sasha Grey. Darius Marder talks about his hypnotic treasure hunting debut doc, Loot. And Olivier Assayas chats about his latest film, Summer Hours. Also, in Jon Reiss‘s latest instalment he looks at DIY Web marketing. We highlight the filmmakers using still cameras to make their movies. And Esther B. Robinson walks us through what’s needed to do to make that next credit card-financed film. And don’t […]
In addition to all of challenging economic factors, one adversary indie film has had in the last year is the press. Gone are the puff pieces about filmmakers “making it” by gambling their mortgage on their indie film and then scoring big. Those human interest-type stories have faded away in the last year as the financing of the indie sector itself became the story. There’s not a lot new in Lauren A.E. Schuker’s Wall Street Journal piece, “Indie Films Suffer Dropoff in Rights Sales,” but when it comes to independent film foreign sales, the piece impressively catalogues all the bad […]
I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen. I believe in the non-existence of the past, in the death of the future, and the infinite possibilities of the present. That’s J.G. Ballard from his prose poem, “What I Believe” (1984), as quoted in Mark Dery’s February essay in the L.A. Weekly on Miracles of Life: From Shanghai to Shepperton, the author’s memoir, currently out in the U.K. For […]
This strange blog post is part Kiyoshi Kurosawa’s Pulse, part MAD magazine, but really, it’s just an excuse for me to learn a new word: “pareidolia.” According to Wikipedia, the term “describes a psychological phenomenon involving a vague and random stimulus (often an image or sound) being perceived as significant. Common examples include seeing images of animals or faces in clouds, the man in the moon, and hearing hidden messages on records played in reverse.” “Hoax or pareidolia?” is what Derren Brown asks about the kookily enjoyable internet meme that proposes that Michael Jackson somehow moonwalked in time back to […]
J.G. Ballard, the British writer whose long career aimed to, in his own words, graph “the psychology of the future,” died this weekend in England after a long illness. Throughout his many published works Ballard, in dispassionate, sometimes clinical prose, philosophized about the changes that technology, social changes or the decaying environment are having on our desires as well as our own conceptions of what it means to be human. His characters are typically scientists of their own disorder, cooly observing the ways in which their psychologies are being redrawn by forces they are only beginning to understand. In Ballard’s […]
Mark Olsen has a new L.A. Times column called “Indie Focus,” and this notice of its inauguration gives me an opportunity to plug yet again two of my favorite movies of last year: Frownland and The Pleasure of Being Robbed. The two films are double-billing in L.A., and Olsen devotes his debut column to the films and their filmmakers, Ronnie Bronstein and Josh Safdie, respectively. (The films play Thursday through Saturday at the Cinefamily at the Silent Movie Theater.) Olsen interviews both filmmakers separately and gets some choice quotes from each. From Safdie, about his film’s “accidental” creation: “At times, […]
MICHAEL CAINE AND BILL MILNER IN DIRECTOR JOHN CROWLEY’S IS ANYBODY THERE? COURTESY STORY ISLAND ENTERTAINMENT. Along with Martin McDonagh and Conor McPherson, John Crowley is part of a recent wave of Irish theater influx into film. Born in 1969, Crowley is a philosophy graduate from the University of Cork in Ireland who first became involved in theater as a student, seeing it as a way to get into directing film. He began directing plays in Dublin in the early 90s and was successful enough that already in 1996 he was working in London’s West End. After a few years, […]
This is the IFP’s 30th Anniversary and Katie Holmes will be hosting a Gala celebration to mark the occasion on April 26. The IFP is a non-profit and proceeds from this event will go directly towards the support of its year-round programs. Details are below, and if you are able to I hope you will consider supporting the IFP on this anniversary year. The Cooper Square Hotel Presents Independent Filmmaker Project Thirtieth Anniversary Hosted by Katie Holmes Sunday, April 26, 2009 6:30 pm: Intimate Sunset Champagne, Cocktails and Hors D’oeuvres 8:30 pm to Midnight: Dancing and Drinks Music by Paul […]
In the new issue of Filmmaker, out next week, I think Peter Bowen has the perfect take on Eran Riklis’s Lemon Tree: it’s an allegory. The question then becomes, what does Riklis do with the allegorical form to make it cinematically resonant and appropriate in dealing with the current state of affairs between Israel and Palestine? Here’s a section from Bowen’s interview with Riklis: Filmmaker: While Lemon Tree was based on a real story, the structure is so specific that it appears to be pure allegory. Rikilis: Once I wrote the first few lines of the synopsis, I thought, “Oh […]
That’s how Stephen Holden opens his preview of this year’s Tribeca Film Festival in today’s New York Times. Beginning next Wednesday with the world premiere of Woody Allen‘s Whatever Works, Allen’s first film in four years set in Manhattan, the 8th edition of TFF will be a smaller and less serious in theme than its previous years, as Holden points out: The 12-day festival’s identity as a hybrid of serious film forum and family-friendly community celebration catering to cinéastes and tourists alike is now firmly established. At Tribeca highbrow meets no-brow with everything in between. Leaner means smaller but more […]