MSNBC’s nightly programs are manna, a much-needed counterbalance to the agitprop spewing from Fox News. Reading Stephen Holden’s preview of the Tribeca Film Festival in the April 16th edition of the Times, I wondered if we need more than ever an alternative print organ covering culture, in New York anyway, with the clout of the Times. Holden parrots Tribeca’s moldy marketing theme, then jumps to a questionable conclusion. “Because the festival…was born in the ashes of the World Trade Center as a community development project to revive the devastated economy of Lower Manhattan, you might say My Trip to Al-Qaeda is woven into […]
Too enthralled by the latest social media craze? Those are the questions posed by producer Mike Ryan (Junebug, Life During Wartime, 40 Shades of Blue) in his essay in the new issue of Filmmaker, which you can read online now. From his piece: Developing content and nurturing auteurs should be our top concern, not figuring out distribution models or revenue schemes. The whole purpose of independent film is to make films that aren’t prefabricated to hit a target audience of someone else’s devising. In fact, it’s that kind of market-centric thinking that puffed up the bubble with derivative films; it’s […]
Now online check out select stories from our Spring issue, which will hit stands next week. Alex Gibney talks about this latest doc, Casino Jack and the United States of Money; Laura Poitras follows up her Oscar nominated My Country, My Country with the powerful The Oath; and Bahman Ghobadi explains the challenges behind making No One Knows About Persian Cats. Plus, YouTube’s Sara Pollack discusses the site’s distribution model, production designer Jack Fisk recounts his 30-plus year career, Anthony Kaufman wonders where’s the under-30 indie film audience in Industry Beat, and in two passionate pieces that highlight opposite ends […]
If, after all the talk about indie film panels this past week, you would like to attend one… More info here. (Hat tip: Jamie Stuart)
Tired of waking up in the same place every day? Then WinScape may be for you. The company’s plasma monitors and software allow you to change your definition of “outside” whenever you want. Most impressively, the view changes as you walk around your apartment… only if, that is, you walk around your apartment wearing a radio-emitting headpiece.
That was the question asked a group of about 40 filmmakers and members of the filmmaking community at an IFC Center Friday breakfast by Thom Powers (artistic director), John Vanco (managing director) and Raphaela Neihausen (executive director) about their new event, DOC NYC. Powers, Vanco and Neihausen are teaming to present the inaugural edition of this new Gotham doc fest this November, and their first step has been to reach out to the community for opinions on what’s needed to distinguish their festival. From their initial release: “DOC NYC will fill an important void in New York City and will […]
Some Friday night listening pleasure from the Atoms for Peace concert (I sadly missed).
Jamie Stuart passed me this video, which Ray Pride posted at Movie City Indie. Check out the small size of the forthcoming RED Epic camera. Here’s another RED report from NAB, courtesy of Engadget: Ted Interview (Part I) from Landmine Media on Vimeo.
Guy Maddin’s hometown fantasia, My Winnipeg, is one of my favorite films of the last few years. Night Mayor is a recent short film that explores similar territory. It won a Short Film Jury Award for Experimental Short at this year’s SXSW, and is now available online at the National Film Board of Canada site (and embedded here). From the press release: Night Mayor tells the tale of Nihad Ademi, a Bosnian immigrant who serves as Winnipeg’s “night mayor.” Ademi somehow harnesses the multi-coloured waves of the Aurora Borealis and uses its power to broadcast images of his beloved adoptive […]
I caught Bahman Ghobadi’s No One Knows about Persian Cats, opening tomorrow at the IFC Center, when it screened at the Doha Tribeca Film Festival. In the magazine, I wrote the following: The story told by the Iranian Kurdish filmmaker Bahman Ghobadi’s No One Knows about Persian Cats would have fit comfortably into an afternoon of mumblecore films at SXSW. A young couple tries to form a band and score an out-of-town gig. Because it’s set in Iran, however, the band is outlawed, money must be scraped together for the expensive exit visa, and the female musician is not even […]