Ben (Justin H. Min) is a movie theater manager and struggling filmmaker whose life is thrown into tumult when his best friend Alice (Sherry Cola) relocates to New York City for an internship. Adapted from Adrian Tomine’s graphic novel of the same name, actor Randall Park makes his directorial debut with Shortcomings, a film about the complexity of Asian-American identity. Editor Robert Nassau talks about his love of Tomine’s original graphic novel, the religious childhood experience of watching Close Encounters of the Third Kind and how each project he works on teaches him something new. See all responses to our […]
Before it started, one question about this year’s Sundance concerned attendance: what happens when a more-expensive-to-attend-than-most festival, held in a cold place during winter’s peak at a high altitude, offers the option to stream the bulk of its titles online days later? Brand presence on Main Street appeared to be down (one out of five awnings rather than every single one), and P&I attendance seemed to be as well—but, for many there, the answer was jamming out endless viewings on their tablet or laptop between venturing out for select IRL screenings. Whatever those combined, not-yet-disclosed industry-plus-public streaming numbers were, they […]
When a marked increase in abortion restrictions and bans began unfolding across the country, Francine Coeytaux knew she had to step up and do something. As a result, she formed the grassroots organization Plan C, which lends its name to Tracy Droz Tragos’s documentary about Coeytaux’s fight for everyone’s right to abortion medication and broader reproductive health services. Cinematographer Derek Howard tells Filmmaker all about his experience shooting PLAN C. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that […]
Writer-director Justin Chon returns to Sundance with Jamojaya, a film about a father-son relationship that’s made fraught by recent losses and financial difficulties. James (Brian Imanuel) is an up-and-coming Indonesian rapper who’s visiting Hawai‘i to cut his debut album, which is set to premiere on a major record label in the US. His travel companion is his dad and former manager (Yayu A.W. Unru), who can see that James is drowning in debt due to this major label acquisition. While he’s still mourning the loss of his other son, James’s father becomes his de facto assistant, micro-managing his every move—and […]
A.V. Rockwell’s debut feature, A Thousand and One and Going to Mars: The Nikki Giovanni Project, directed by Joe Brewster and Michèle Stephenson, won, respectively the 2023 Sundance Film Festival’s two top U.S. awards, the U.S. Grand Jury Prize: Dramatic and U.S. Grand Jury Prize: Documentary. D. Smith’s Kokomo City won two awards, the NEXT Innovator Award and the NEXT Audience Award. And Maryam Keshavarz’s The Persian Winner was another double winner, picking up the Waldo Salt Screenwriting Award and the Audience Award: U.S. Dramatic. “This year’s Festival has been an extraordinary experience,” said Joana Vicente, Sundance Institute CEO. “The artists that […]
When Pietro’s (Lupo Barbiero) father passes away and leaves him a plot of land in the small Alpine village of Grana, he decides to return to the mountainous locale to build a house. Upon his return, he bonds anew with Bruno (Cristiano Sassella), who he first met when he visited with his mother as an 11-year-old boy many years ago. The winner of the Jury Prize at the 2022 Cannes Film Festival, The Eight Mountains from directors Felix van Groeningen and Charlotte Vandermeersch is an engrossing look at a friendship that transcends time and distance. Editor Nico Leunen tells Filmmaker […]
Directors Davina Pardo and Leah Wolchok examine a YA literary icon in their documentary Judy Blume Forever. The author of coming-of-age touchstones like Are You There God? It’s Me, Margaret, Forever and Tales of a Fourth Grade Nothing, Blume has amassed quite a legacy during a career than has spanned more than 60 years and 25 novels. Editor Tal Ben-David discusses the process of cutting Judy Blume Forever, touching on her appreciation for the author’s work and how she charted her life and career through the decades. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why […]
War correspondent Mstyslav Chernov found himself and a team of fellow Ukrainian journalists under siege in the eastern port city of Mariupol, their most valuable weapon against the encroaching Russian forces being the camera they used to document the atrocities of the invasion. The resulting footage became 20 Days in Mariupol, Chernov’s feature debut that chronicles the strife of Ukrainian citizens and the journalists trying to ensure that their story is told. Editor Michelle Mizner shares with Filmmaker her insights on cutting Mstyslav Chernov footage from the frontline. See all responses to our annual Sundance editor interviews here. Filmmaker: How and […]
Leila (Layla Mohammadi), an Iranian-American girl, gathers with her family in New York City for her father’s heart transplant surgery in The Persian Version from writer-director Maryam Keshavarz. When a tightly-kept secret of hers is revealed, she grapples with the divided expectations from the two cultures she inhabits and comes to identify the parallels between her and her mother (Niousha Noor). Editor JoAnne Yarrow tells Filmmaker about inheriting the project after its initial assembly by Abolfazi Talooni, “softening” Leila’s character and the most difficult scene to cut. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why […]
Precocious 11-year-old Ama (Le’Shantey Bonsu) and her 24-year-old mother Grace (Déborah Lukumuena) have an intense (if somewhat co-dependent) bond in Girl, the feature debut from writer-director Adura Onashile. Living in a sprawling Glasgow apartment complex, Grace constantly fears that Ama is in danger when she leaves her home alone to work the night shift as a janitor. Perhaps this has to do with Grace’s own traumatic past—a facet of her life she will need to unpack and being to heal from if she wishes to foster a healthy relationship with her daughter, who is on the precipice of puberty and […]