Last night director Lynn Shelton’s Facebook status report was “Lynn Shelton is… wow.” An appropriate indicator of her mood and well-being because, as Mike Jones reports in Variety, her well-loved Humpday is “in play,” with four distributors circling. With all the speculation about sales and acquisitions, it’s great that this true indie from the Pacific Northwest is the first major buzzed-about title here. Expect Nick Dawson’s inteview with Shelton on these pages in the next few days. (And you can also check out my take on Shelton’s previous film here.)
Courtesy of the Workbook Project, here is Ted Hope’s closing speech at the Sundance Art House Convergence confeence. From their description: This year before Sundance kicked off a number of exhibitors, bookers and filmmakers gathered for an event called Art House Convergence. During the three day conference 51 Art Houses met in Salt Lake City to discuss the major issues facing the industry and how they can work together to share resources. The following video is of producer Ted Hope’s closing keynote. Hope’s remarks present his vision of where filmmakers will be a year from now thanks to new distribution […]
Lynn Shelton has worked in a variety of creative forms for most of her life, but seems to have found her true voice in the role of writer-director. A Seattle native, Shelton spent her formative years immersed in painting, writing poetry, taking pictures and acting. She was a stage actress for ten years (and was told she was destined to work in film), and subsequently studied for an MFA in Photography at NYC’s School of Visual Arts. She then began working in film, both as an editor on movies such as The Outpatient (2002) and Hedda Gabler (2004) and as […]
California-based artist Charlie White has made his mark with highly produced, carefully-staged photographs that construct scenes both disturbing and familiar, work that aims to dissect the violence, desires, and social anxieties that trouble the American collective unconscious. From his Understanding Joshua Series (2001), which offered an adorable/repulsive monster character as surrogate for human fragility and the internal demons that haunt our experiences of self, to the more varied And Jeopardize the Integrity of the Hull series that, among other uncanny images, offered The Persuaders, a flat Sesame Street-like image of puppets taunting their tormented human host in front of a […]
[PREMIERE SCREENING: Saturday, Jan. 17, 6:00 pm — Egyptian Theatre, Park City] I wrote the first draft of Victoria Day in 2001 before the existence of YouTube or the invention of the iPod. So, Victoria Day in its conception and execution wasn’t influenced by these things. But even if I were to conceive of it anew today, the story would take the same shape, simply because I don’t believe that the effect I hope to achieve — namely an emotional effect — can be achieved any other way. In my experience, the kinds of stories that I’ve seen told on […]
[PREMIERE SCREENING: Saturday, Jan. 17, 5:15 pm — Racquet Club, Park City] Maybe I’m a dreamer, but I still believe that watching a film should be a collective experience in the darkness of a movie theater, with the viewer floating in a mental state somewhere between consciousness and sleep. I feel that filmmaking as a creative process and as a medium is very close to the process of dreaming. A film is an association of images outside of our control interacting with our memories and emotions. So by replacing the big screen with miniature devices, we’re losing an aspect of […]
[PREMIERE SCREENING: Saturday, Jan. 17, 5:30 pm — Holiday Village Cinema III, Park City] As an artist I am at liberty to use everything as an influence to tell the story. I have made a three-minute wonder that was entirely filmed on a mobile phone. A series of three-minute films were commissioned by the British television stationChannel 4, and the films aired before the 7:00 p.m. news. I discovered early on how to be true to materials, and this awareness is reflected in my work. The Internet and YouTube are sources for information at our fingertips. I am, however, very […]
[PREMIERE SCREENING: Saturday, Jan. 17, 12:15 pm — Eccles Theatre, Park City] I didn’t respond to the changes in the way people are beginning to view cinema today. My story development process, which began back in 2003, was very much influenced by my own personal experience and my need for authenticity, especially in light of the political issues that rose to the forefront after 9/11 and the subsequent invasion of Iraq. From the start I knew that I wanted to craft a universal story and imbue it with humor so that it was accessible and relatable to a mass audience, […]
[PREMIERE SCREENING: Saturday, Jan. 17, 6:15 pm — Holiday Village Cinema IV, Park City] As a documentary filmmaker I am always telling a story, painting a picture of a reality that to some may be disturbing, to others offensive, but hopefully always eye-opening and informative. As such it will always be the content, the core and the soul of the film that is the driving force behind my creative process. The technological aspects and various formats are secondary. My latest doc The Queen and I is a simple story marked by extraordinary events. Whether my films are screened on iPods, […]
[PREMIERE SCREENING: Saturday, Jan. 17, 3:00 pm — Temple Theatre, Park City] Over the Hills and Far Away is a piece of true magical realism. A family struggles to cope with their son’s autism. In an act of inspiration and desperation combined, they travel to Mongolia and journey through the country on horseback in search of mysterious shamans who they believe can heal their son. It’s hard to believe that this is a documentary and not a dramatic narrative. It’s a filmmaker’s dream to be able to work with such material. So for me it wasn’t a question of finding […]