| Filmmaker Magazine

“REPORTER” director, Eric Metzgar

[PREMIERE SCREENING: Friday, Jan. 16, 9:30 pm — Temple Theatre, Park City] With Reporter (and my other films), I have done my best to ignore and avoid the modern forces that encourage the shrinking (and consequent speeding up) of cinematic storytelling. I just don’t see the good in trying to satiate the racing human mind and its desperate and diminishing attention span. I try instead to suffuse my films with the qualities of life and art that I most cherish but seem increasingly endangered: subtlety, silence, stillness, tenderness, sincerity and a spaciousness that allows the viewer (hopefully) to experience some […]

by Jason Guerrasio on Jan 16, 2009

“LYMELIFE” co-writer-director, Derick Martini

[PREMIERE SCREENING: Friday, Jan. 16, 9:00 pm — Screening Room, Sundance Resort] Due to the daunting forces affecting independent cinema today, the tragedy that has become specialty distributors’ monumental struggle to find audiences, my instinct while directing Lymelife was to constantly push the envelope in every single scene we shot. If that meant tossing my written words out the window, so be it. I was determined to deliver a brutally honest and unsentimental depiction of an American family going through crisis in the late ’70s, a time of emotional and economic change which turns out to be relevant today. I […]

by Jason Guerrasio on Jan 16, 2009

“STAY THE SAME NEVER CHANGE” director, Laurel Nakadate

[PREMIERE SCREENING: Friday, Jan. 16, 9:15 pm — Holiday Village Cinema IV, Park City] I think a lot about the small, small screens getting attention these days: iPods, cell phones, YouTube and MySpace. I spend an embarrassing amount of time thinking about the many strangers around the world, sitting in front of their Web cams, reaching out through their video yelps. I’m amazed by the matter-of-fact placement of their bodies in front of their computers, squarely there, waiting, presenting themselves, as if in front of a firing squad of voyeuristic strangers that may love them or shoot them. I obsess […]

by Jason Guerrasio on Jan 16, 2009

“YOU WONT MISS ME'”S RY RUSSO-YOUNG By Alicia Van Couvering

You Wont Miss Me is Ry Russo-Young’s second feature, and her first in Sundance. Orphans, which premiered at SXSW last year, was a Bergman-esque tale of two sisters, now separated, who come together in their parents’ sprawling, snow-bound house to hack emotional pieces out of one another. You Wont Miss Me is very different in style and tone. It uses experimental film techniques – disjointed narrative, a salad of film and video formats – to paint a portrait of one desperate, uncensored, sexy wreck of a young woman named Shelly Brown. Russo-Young invented the character with the film’s star, Stella […]

by Scott Macaulay on Jan 16, 2009

OPENING SLAMDANCE WITH “I SELL THE DEAD” By Alicia Van Couvering

Glenn McQuaid’s I Sell The Dead, starring Dominic Monaghan and Ron Perlman, will open Slamdance this year. Taglined “Never Trust a Corpse,” it’s a vintage-inspired horror-comedy set in the 18th or 19th-century, structured as a series of drunken recollections on the life of a career grave robber (Monaghan.) The film is produced by and co-stars horror-master Larry Fessenden (Wendigo, The Last Winter, Habit) of the New York production outfit Glass Eye Pix. The team behind ISTD – McQuaid, Fessenden and Scareflix producer Peter Phok — sat down with Filmmaker on the eve of their trip to Park City to reminisce […]

by Scott Macaulay on Jan 16, 2009

CROSSING OVER AT SUNDANCE: MELISSA AUF DER MAUR By Alicia Van Couvering

“I’m not interested in the relationship of color or form or anything else. I’m interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” — Mark Rothko Doesn’t it make sense that every professional artist would have ideas in between mediums, would collaborate across categorical boundaries and make new and different work as their vision expands over their lifetime? It would seem to make perfect sense, but it doesn’t happen as often as it could. This year at Sundance, though, there are several artists who wouldn’t necessarily call themselves “filmmakers” on their tax returns, and who are […]

by Scott Macaulay on Jan 16, 2009

“THE MISSING PERSON” writer-director, Noah Buschell

[PREMIERE SCREENING: Friday, Jan. 16, 6:00 pm — Library Center Theatre, Park City] For me, “story” is the most overused word in the film world these days. I hear actors saying, “I just wanna tell good stories.” I hear producers saying, “I have an intense passion for storytelling.” Jerry Bruckheimer is in some commercial calling himself a storyteller. Maybe he is. I don’t understand when indie movies became synonymous with storytelling. When did this extreme emphasis on narrative take place? As if a movie doesn’t lend itself equally well to being a poem or a painting. But we don’t hear […]

by Jason Guerrasio on Jan 16, 2009

“HEART OF TIME” writer-director, Alberto Cortés

[PREMIERE SCREENING: Friday, Jan. 16, 3:00 pm — Screening Room, Sundance Resort] Film has always been affected by diverse forces; many times has its near death been foreseen before the arrival of a new media, but today, more than 100 years from the invention of the cinematographer, cinema is still very similar to how it all began: celluloid, light and emotions on the screen with moving images in a dark room. The story of Heart of Time comes from inside the life of a rural community, a simple love story that is developed within the fight and the resistance of […]

by Jason Guerrasio on Jan 16, 2009

“O’ER THE LAND” director, Deborah Stratman

[PREMIERE SCREENING: Friday, Jan. 16, 11:30 am — Holiday Village Cinema III, Park City] I think I might be one of the few filmmakers out there who still cuts on a flatbed. Or rather, if I shoot on film, I cut on film; if I shoot on video, I cut on a computer. I still cut on film for a few reasons (it’s easier on my eyes, the tables are all being given away so I don’t have to compete for an editing space, I like handling the plastic), but most important is work speed. And by speed, I don’t […]

by Jason Guerrasio on Jan 16, 2009

“NOLLYWOOD BABYLON” writer-directors, Ben Addelman

[PREMIERE SCREENING: Friday, Jan. 16, 6:00 pm — Screening Room, Sundance Resort] A lot gets tossed around these days about how new technology is changing the nature of storytelling. The ability of the audience to use technology to influence how a story unfolds is considered novel, complete with all the symptoms that characterize a fresh idea with legs. But one look at Nollywood, Nigeria’s grassroots film industry, now the third biggest in the world and the main subject of our film Nollywood Babylon, paints a different picture. Nollywood’s approach emphasizes the immediate: shoot a film in a week, sell it […]

by Jason Guerrasio on Jan 16, 2009

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