| Filmmaker Magazine

STREAMING NO END IN SIGHT

During this election season I recommend taking a break from the cable talking heads and reviewing some of the independent media that has been produced over the last couple of years about American foreign policy. One of the best documentaries is Charles Ferguson’s Academy Award-nominated No End in Sight. As Ray Pride report at Movie City Indie, Ferguson is streaming the film free on YouTube. Pride reports: No End in Sight is being made available free to the public to reveal the facts about the Bush Administration’s invasion and occupation of Iraq to voters concerned with the issues of national […]

by Scott Macaulay on Aug 28, 2008

NET NEUTRALITY

I like Aaron Sorkin, but I don’t know what to make of the fact that he’s so loudly publicizing the fact that he knows so little about the online world he’ll be writing about in his Scott Rudin-commissioned script on Facebook. I’ve listened to interviews with Sorkin before in which he’s talked about capturing the rhythms of intelligent speech and about how one doesn’t have to know all the details of a character’s profession in order to write that character. And yes, often an outsider’s eye can be the best when it comes to entering into a world and finding […]

by Scott Macaulay on Aug 28, 2008

THE REALLY BIG SCREEN

Everyone’s talking about small screens — what it’s like to watch movies on mobile devices like cell phones and iPods. Mark Cuban’s musings about the Olympics and The Dark Knight, however, lead him in the opposite direction: Of course it would also not be a stretch to place the biggest screens in existence in open air locations where huge gatherings and related events can take place. Would families pay 50 bucks for a day of Olympics fun outside on 100 acres? Olympicsalooza anyone ? Why should it be any different than all the events that take place SuperBowl, or NBA […]

by Scott Macaulay on Aug 26, 2008

WHAT’S IN A NAME?

A couple of weeks after organizations for the disabled attacked Tropic Thunder for an epithet used in the movie, the Council on American-Islamic Relations is objecting to the title of Alan Ball’s new film, Towelhead, which opens next month. But Eric D. Snider at Cinematical argues that the film’s title shouldn’t be considered offensive as it can’t be separated from the intentions of the film itself: I think CAIR’s objections could be remedied by simply watching the movie. Over the course of it, the girl (played amazingly by Summer Bishil) comes to feel empowered and confident in who she is. […]

by Scott Macaulay on Aug 26, 2008

DOWN SO LOW…

Declining box-office… shuttered indie arms… busted distribution windows… the credit crunch… bankrupt distributors… creative malaise — they are all cited by Dade Hayes and Pamela McClintock in Variety as the reasons for indie film’s “dismal year.” A key graph summarizes the debate that many in this business are engaged in right now: The bottom line is that it’s a changing world — and it might be something cyclical, or things may have changed permanently. The matrix of different ancillaries — which has expanded radically from the early video days to include VOD, Web downloads, airlines, music and merchandise — puts […]

by Scott Macaulay on Aug 26, 2008

DON’T WATCH THIS MOVIE

I mean, really, don’t. It’s one of the greatest movies ever made, and a personal top ten favorite… but here on this blog is not the way to see it. Let me explain. I first saw Charles Laughton’s Night of the Hunter while visiting a friend’s house for the weekend. She had it on VHS and we watched it on a pretty small TV. I thought it was really good. Later, feeling I had missed out on seeing it on the big screen I caught it during a special run at New York’s Public Theater — back when the Public […]

by Scott Macaulay on Aug 26, 2008

FASHION OF THE TIMES

Okay, cool mentions across the blogosphere are one thing, but a fashion spread in the Sunday Times is something else. Check out this feature to see Josh Safdie, director of The Pleasure of Being Robbed (my favorite independent film of the year), his brother Benny, actress Eleonore Hendricks and the rest of the Red Bucket Films crew wearing some of the latest Fall fashions. There’s also this group of curated Red Bucket Shorts.

by Scott Macaulay on Aug 24, 2008

MEDIUM COOL

There’s a good edition of “The Medium,” Virginia Heffernan’s column in the Sunday Times Magazine this week. She tries to define what makes a web series work. In the most recent Filmmaker magazine newsletter I wrote about Max Richter’s new album, 24 Frames in Full Colour, which consists of 24 short pieces that Richter says are designed to be thought of as ringtones, not songs. In the letter I wrote about the perceptual change that prompted in the listener leading to a different kind of appreciation of the album. Applying this thinking to web filmmaking, I wrote that maybe we […]

by Scott Macaulay on Aug 24, 2008

A NEW FESTIVAL DISTRIBUTION MODEL?

On the one year anniversary of Mike Jones’s “The Circuit” column at Variety, former AFI Fest Director Christian Gaines, who is now employed by Withoutabox, contributes a two-part discussion on festivals and our current failing indie film theatrical distribution model. Part one is titled “Do Festivals Matter?” and part two is “Things Gotta Change.” In part one, Gaines writes that festivals have become, for many films, the premiere exhibition opportunity: In the pantheon of viable choices for getting your film seen, film festivals continue to thrive (seems there’s a new one born every minute, right?), and that’s because, putting aside […]

by Scott Macaulay on Aug 24, 2008

CROSSING THE UNCANNY VALLEY

I’ve written before about the “uncanny valley,” the term used in discussion of technological attempts to simulate the human visage. It refers to the phenomenon where things intended to look human suddenly seem unrealistic as they closely approach a realistic representation of the human. There was talk this month at SIGGRAPH about Emily, a completely animated character that promises, in the words of creator David Barton, “new levels of believability in computer animation.” From the linked piece in the Daily Mail: To create the footage the University of Southern California Institute for Creative Technologies made a a computer generated replica […]

by Scott Macaulay on Aug 24, 2008

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