We did the impossible. We made a feature film. When our docu-horror Residency was accepted into the International Film Festival Rotterdam, we learned that we needed yet another miracle—we needed a sales rep to get our film in front of the right audiences. It used to be that getting selected by a festival like IFFR meant automatically getting acquired by a sales rep, but those days are long gone. On a predictably gray day during the festival, Residency director Winnie Cheung sat on a panel to speak about this very issue: the drastically changing landscape of indie distribution. Moderating the […]
Jonathan Roumie—actor, director, producer, and speaker—is best known for his award-winning role as Jesus in the groundbreaking series and global sensation, The Chosen. His new movie, the Lionsgate period drama Jesus Revolution, is based on the events of the last great spiritual revival in America. Roumie portrays the enigmatic, hippie street preacher, Lonnie Frisbee. On this episode, he gives us a peek at his in-depth approach to the work, which ranges from authentic ‘Method’ to ‘mystically inspired.’ He talks about how his occasional need for solitude on set stems from being easily distracted, why chemistry reads should be not just […]
I was lucky to see two films I liked upon arriving for my first IRL International Film Festival Rotterdam: with a limited timeframe of three-and-a-half days, starting strong put me in a desirably pleasant and more-receptive-than-usual mindset, even if my fortunate choices seemed mostly like beginner’s luck. The festival’s extremely public firing last year of most of its senior and longstanding programmers led, whether out of solidarity (either publicly stated or more quietly expressed via networks of mutuals) or lack of enthusiasm about the resulting lineup, to some regular attendees sitting it out. When I arrived a third of the way […]
Christian Petzold returns to the Berlinale this year with Afire, the second installment of his elemental trilogy following 2020’s water-inspired Undine and preceding a forthcoming film about earth. Afire will reunite Petzold with his frequent collaborator Paula Beer, who will star alongside Thomas Schubert, Langston Uibel, Enno Trebs and Matthias Brandt. The first trailer arrives today from Matchbox Films ahead of Afire‘s Berlin premiere. Per the film’s official synopsis: “Leon and Felix’s plan was to spend the summer together in a holiday home on the Baltic coast. They wanted to be there as friends but also to work—one on his […]
Today, the Museum of the Moving Image in Queens, New York announced the festival lineup for First Look 2023, which will take place from March 15-19. Featuring 38 films (including 19 features) from around the globe, the twelfth edition of the festival will showcase new work from long-renowned directors as well as exciting work from emerging filmmakers. Maid, a short from Argentine auteur Lucrecia Martel, will accompany the Dardenne brothers’ Tori and Lokita. We’re also excited to see New Strains, from filmmakers (and 25 New Faces alums) Artemis Shaw and Prashanth Kamalakanthan, screening at First Look shortly after winning a […]
Jonathan Caouette, the director whose breakthrough experimental personal doc Tarnation (2004) has proved both tremendously influential but never really matched in terms of formal inventiveness and emotional intensity, is facing significant health challenges, and friends and supporters have launched a GoFundMe to help. Marie Therese Guirgis, Stephen Winter, Brian Kates, John Cameron Mitchell, and Gus Van Sant are behind the fundraiser, which is currently just over midway to its $60,000 goal. Treatment is occurring abroad, and funds raised will go towards “crucial surgeries and medical care, his outstanding medical bills, and his living expenses while he undergoes this long and delicate process […]
Microbudget independent horror is certainly having a moment. Kyle Edward Ball’s experimental haunted house flick Skinamarink has grossed $2 million to date on a $15,000 budget, and 17-year-old YouTuber Kane Parsons will turn his lo-fi viral series The Backrooms into a feature film for A24. Similarly reinvigorating a long-reliable medium for first-time horror filmmakers, Robbie Banfitch’s found footage gem The Outwaters defies genre expectations while showing seasoned gore hounds exactly what they want to see (and perhaps a few things they’ll probably wish they hadn’t). The film’s writer, director, cinematographer, editor and producer, Banfitch also stars as Robbie Zagorac, the camera-wielding […]
In “The Body is a Tool,” I talked with DPs and camera operators about the routines they developed to maintain their bodies against taxingly long days on set. When even film workers’ unions provide few resources to prevent bodily harm, crew members create their own devices, so methods of self-preservation tend to vary greatly. This was true of both the four camera people I talked with for the article and many of the set workers I’ve encountered in production. In this environment, a Steadicam operator might recommend a vest for no reason other than it worked for them personally. There are […]
Along with their baby and an AI-generated poster, filmmakers Artemis Shaw and Prashanth Kamalakanthan recently brought their debut feature, New Strains, to the International Film Festival Rotterdam, where it won a Special Jury prize. The film is about a couple who travel to New York just prior to the start of a worldwide pandemic and, holed up in a relative’s apartment, descend “into a toxic pattern of spite, jealousy and miserable co-dependence, wrote Vadim Rizov in our 25 New Face profile of the filmmakers. “Wryly funny and cuttingly satirical, New Strains has the rare distinction of being a pandemic film that actually […]
Brandon Harris—an educator, programmer, author, producer, director, executive as well as a longtime contributing editor at Filmmaker—has curated a series at Metrograph in commemoration of Black History Month. Entitled “Strange Fruit,” the series features an impressive slate of titles spanning several decades, from Pierre Chenal’s black and white Argentine drama Native Son to Billy Woodberry’s seminal L.A. Rebellion film Bless Their Little Hearts. The opening night selection, which played on Sunday, February 5, was Elvis Mitchell’s NYFF-premiering essay film Is That Black Enough for You?!? Several special screenings have also been programmed, including Del Lord’s 1927 silent film Topsy and Eva […]