17709 Results for “”
-
Watch: Apple-Produced Takashi Miike Film Shot on iPhone 15 Pro
In what is a refreshing — at least for us at Filmmaker — changeup from the usual sorts of films that get the iPhone demo treatment, Apple has released a new 19-minute short, Midnight, directed by Takashi Miike. It’s no Audition or Ichi the Killer, naturally, but his adaptation of Osamu Tezuka’s manga is a lot of fun. There’s also an accompanying short behind-the-scenes video, below, that demonstrates the use of iPhone modes like Action and Cinematic — the former’s handheld stabilization and the latter’s rack focus — as well as, most impressively, the use of the phone’s LIDAR scanner […]
by Scott Macaulay on Mar 6, 2024 -
Chicken & Egg Pictures Awards $400,000 Total to Ten 2024 (Egg)celerator Lab Grantees
Chicken & Egg Pictures, the non-profit organization dedicated to supporting women and gender-expansive filmmakers with funding and mentorship, today announced its 2024 (Egg)celerator Lab grantees. The organization is granting $40,000 each to ten feature documentary film projects, directed or co-directed by first- or second-time directors. Funds are targeted for production, and each director will also receive year-long mentorship. From today’s press release: The 2024 (Egg)celerator Lab films find families reimagining their histories, legacies, generational grief, and intimate end of life journeys such as in Ashley O’Shay’s Southmont Drive (Working Title), Gabriela Díaz Arp’s Matitinó, and Emma Francis-Snyder’s Anatomy of a […]
by Filmmaker Staff on Mar 5, 2024 -
“Feeling Vulnerable is a Good Thing”: Hugo De Sousa, Back To One, Episode 281
As an actor, Hugo De Sousa had breakout leading roles in We Used to Know Each Other, Mister Limbo, and Everything in The End. I was introduced to his work as an actor/filmmaker, with the celebrated shorts he made in collaboration with Frank Mosley—The Event and Good Condition. On this episode he talks extensively about the making of those films, and his latest, which might be of particular, cathartic interest to listeners of this podcast, the absurdist short Je Ne Suis Pas Une Star De Cinéma. Plus he discusses the importance of feeling “out of balance in front of the […]
by Peter Rinaldi on Mar 5, 2024 -
“A Film Can Be a Spark, and What Comes After It Is Where the Magic Is”: Elizabeth Nichols on Her True/False-Debuting Flying Lessons
Debuting at True/False (followed by First Look), Elizabeth Nichols’s Flying Lessons is a beautiful ode to a New York City Lower East Side artist as well as to the larger “dying breed” that once roamed the streets of Alphabet City, performing in its now extinct clubs. Importantly, it’s also a call to end rampant gentrification and a love story between director and character all rolled into one. The drama began, rather unhappily, with an eviction notice after NYC real estate owner/convicted fraudster Steve Croman bought the building Nichols was living in as a rent-stabilized tenant. Within months the “Bernie Madoff of landlords” had unleashed […]
by Lauren Wissot on Mar 1, 2024 -
“I Don’t Invest Hope in Celebrity or Leaders Too Much, But I Do Have Hope in People”: Mitch McCabe on Their True/False Premiere 23 Mile
While the pandemic spurred many (white collar) Americans to flee the big cities and retreat to the safety and comfort of living room Zooming, Detroit native Mitch McCabe returned home to the big city and instead roamed the often chaotic streets, eventually journeying throughout Michigan, camera in tow. What the veteran filmmaker-educator (and Flaherty Seminar and MacDowell fellow) witnessed was what we all primarily saw in that “unprecedented” election year: anger. At lockdowns, at those attending protests unmasked. And masked. At the murder of George Floyd, at the BLM movement, at Trump. At Democrat elites like Governor Gretchen Whitmer and […]
by Lauren Wissot on Mar 1, 2024 -
Trailer Watch: Alison Tavel’s SXSW Premiere, Resynator
Initially endeavoring to make a short about the synthesizer her late father, who died when she was ten weeks old, invented, documentary director Alison Tavel found herself learning much more about her dad and his legacy, leading to a feature film that’s both a music picture as well as one of family reckoning. Resynator, named after the synthesizer, premieres March 10 at SXSW, features music names such as Peter Gabriel and Jon Anderson, and is Tavel’s first picture. She’s made previously shorts and music videos for the Tom Petty Estate, where she’s the sole archivist. Read below her director’s statement […]
by Scott Macaulay on Feb 29, 2024 -
Pitch People: Restoring A 25-Year-Old Cinematic Documentary into 4K
Pitch People is a feature documentary that takes an energetic look at the pitch business, a dynamic world that started in Europe, made its way to the U.S. boardwalks, and exploded on worldwide television in the 1990s. The film was completed in 1999. It was well-received at various festivals and independent film venues but a year later, it was still incomplete. It was missing an audience, partially due to it never having a formal theatrical release. In 2020, production and postproduction stopped due to the pandemic. With advanced filmmaking tools available and new ways of making people aware of a […]
by Stanley Jacobs on Feb 29, 2024 -
“I Feel Like I’m Still Young Enough To Be a Fairly Humble, Malleable Student, and Old Enough To Be a Badass Teacher.” Mario Van Peebles, Back To One, Episode 280
Heartbreak Ridge put him on the map as an actor, New Jack City as a director, and with Posse, the 1993 hit Western he directed and stars in, Mario Van Peebles secured his place as a celebrated actor/director with countless credits, over the next 30 years, on the big and small screen. His latest is another star-filled, super fun western called Outlaw Posse. On this episode, he talks about the importance of discovering the tone of the project, how his love of learning leads to his desire to make “edutainment,” ways his acting experience informs his work as a director, […]
by Peter Rinaldi on Feb 27, 2024 -
“I Want All The Lesbian Experiences I Can See On Film”: Tricia Cooke on Drive-Away Dolls
Directed by and co-written with collaborator and husband, Ethan Coen, filmmaker and editor Tricia Cooke’ Drive Away Dolls (or Dykes, per the end credits) finds her doing sapphic donuts around classic movies like Kiss Me Deadly and even a little North By Northwest. As Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) decide to take a trip to Tallahassee, they’re dogged by inept criminals seeking a package and suitcase in the back trunk of the car the pair have rented. If the road trip movie and film noir have long been exercises to explore the American psyche and the landscape’s possible […]
by Kyle Turner on Feb 27, 2024 -
“We Always Sought Out Photos with Movement”: Klára Tasovská on Her “Nan Goldin of Soviet Prague” Doc I’m Not Everything I Want to Be
”The only way to survive is to take photos,” declares Libuše Jarcovjáková, the iconoclastic star/narrator/guide of Klára Tasovská’s visually arresting (and eye-catching titled) I’m Not Everything I Want to Be. Nominated for the Teddy Documentary Award at this year’s Berlinale, the all-archival film is a globetrotting, black and white trip back in time (primarily to the 80s and 90s) viewed entirely through the rebelliously inquisitive eyes of this “Nan Goldin of Soviet Prague” (in the words of curator Sam Stourdzé). And words. For not only did Jarcovjáková obsessively collect images of both her defiantly unglamorous self and her decidedly adventurous life, […]
by Lauren Wissot on Feb 24, 2024
