[PREMIERE SCREENING: Monday, Jan. 19, 12:00 pm — Temple Theatre, Park City] The Reckoning: The Battle for the International Criminal Court is the flagship film for a three-year Audience Engagement Campaign intended to get people around the world involved in international justice. While I was filming over two years across four continents in six languages, media possibilities exploded. So from the very beginning producer Paco de Onís, editor Peter Kinoy and I were thinking about how to create educational modules for the Web and adapt digital technologies for human-rights work. The result is that we and our Skylight Pictures Audience […]
[PREMIERE SCREENING: Monday, Jan. 19, 5:30 pm — Library Center Theatre, Park City] While attending Sundance with my two short films, Populi and Pan with Us, I found myself bored with the majority of low-budget independent feature films, particularly their third acts. I didn’t know what specifically caused the redundant patterns in the scripts but I expected more originality from things that carry the qualifier “independent.” Never having given any thought to making feature films before (or narrative works of any kind for that matter), I came home with a bug up my butt and wrote something that I hoped […]
[PREMIERE SCREENING: Monday, Jan. 19, 5:15 pm — Racquet Club, Park City] It’s very hard to begin creating a story with a defined set of rules. It has to come from the gut and has to be truthful. David Brind, the writer of Dare, and I set out to tell a story within the format of a full-length film. It started out as a 15-minute, first-year film-school project that left us with a distinct “What happens next?” feeling. We’ve spent the last four years turning it into a feature. Dare is a story about the need to take chances when […]
While some in the industry are at Sundance and others are preparing for the inauguration, the folks at SAG, according to a post on the Digital Media Law blog, are engaged in knock down cage fight. Check the account of the proceedings at the link.
Greg Mottola’s Adventureland screened in the Premieres section of this year’s Sundance Film Festival. You can read our story on the film in the Winter issue section.
[PREMIERE SCREENING: Sunday, Jan. 18, 8:00 pm — Racquet Club, Park City] Big Fan was edited on the biggest, awesomest computer monitor I’ve ever been in a room with. Thirty inches. As big as it was, though, it still wasn’t nearly enough. That 30-inch monitor was just a tease, whetting my appetite to see my movie on something bigger — like 800 inches. A movie screen. I don’t care what the trends are. What massive, fundamental sea changes are taking place within the industry. No filmmaker fantasizes about what their movie will look like projected onto a 1.5 inch iPod […]
[PREMIERE SCREENING: Sunday, Jan. 18, 11:30 pm — Library Center Theatre, Park City] With Black Dynamite, we wanted to make a blaxploitation movie that was as close to a 1974 blaxploitation movie as you could make in 2009. We wanted to emphasize humor, but we didn’t want to go too far outside of the strict boundaries of the genre. For us, the humor comes out in how anachronistic it all is. Everything is exposed; the clunky structure of the plots, the huge tonal shifts that can occur within a scene from one moment to another, and the desire to please […]
[PREMIERE SCREENING: Sunday, Jan. 18, 8:30 pm — Library Center Theatre, Park City] The whole point of independent filmmaking, in my mind, is to do something original, something challenging, and not to try and cater to whatever the whims of the current marketplace may be. If one is fortunate enough to be given an opportunity to make a film, I think the goal should be, “How can I make the best movie possible?” not “What do I think will sell in today’s marketplace?” So I did my best not to worry about anything other than making a good film and […]
In the first major deal of the festival, Antoine Fuqua’s cop drama Brooklyn’s Finest was sold to Senator, reports Gregg Goldstein at MovieCityNews, in a “low-to-mid seven-figure pact” with a “$10 million P&A commitment.” Senator President Mark Urman has always been good for a quote, and that’s no exception here. After noting to Mike Jones at Variety his personal connection to the material — “Being from Brooklyn, this film is important to me” — he muses on the film’s poorly-received, Hamlet-like ending with the kind of postmodernist flair I’d expect to hear in a discussion of the David Foster Wallace […]
Unlike other films playing in our three-part look at crossover artists at Sundance, The Cove is not playing in New Frontier, but in the Documentary Competition, and that’s despite its director’s non-traditional background. Louie Psihoyos was one of the world’s top-ranked photographers, a staff member at National Geographic who had traveled the world taking portraits of the world’s most famous people and abstract concepts (you try photographing “science.”) He was also an avid diver who witnessed year by year the physical destruction of the world’s oceans. He and his friend Jim Clarke, founder of Netscape and WebMD, decided to form […]