If you pick up the new issue of Filmmaker, you’ll notice by reading our cover articles on Miranda July and her first feature, Me and You and Everyone We Know, the large role the Sundance Institute had in developing that film and supporting its production. July’s film was a Summer 2003 Sundance Lab project and it went to become a hit at the Sundance Film Festival and will open from IFC Films this June. And then there’s another Lab project I’m very interested in — David Jacobson’s Down in the Valley, which I thought was an amazing script and which […]
My friend Bergen Swanson emailed about a film he recently produced in India with Plum Pictures — Rajapur, directed by New York-based Nanda Anand. Here’s more about the film on IFC Insider, including comments from fellow producer Celine Rattray as well as On the Road Production’s Dileep Singh Rathore. On the Road is an India-based service company specializing in bringing foreigners to shoot in India. Writes Andrea Meyer in the article: “Celine Rattray of Plum Pictures (Lonesome Jim), one of the producers of Rajapur, an indie that recently wrapped in Jaisalmer, a town in the Rajasthan Desert, says of the […]
The 2005 Independent Spirit Awards were announced this afternoon at the IFP Los Angeles’s annual ceremony on the beach in Santa Monica. For the major awards, it was a virtual sweep by Sideways — Alexander Payne’s smart comedy won six prizes. Other winners, listed below, include Garden State, The Motorcycle Diaries, Mean Creek, the filmmaker Jem Cohen, the producer Gina Kwon, and doc filmmakers Zana Briski and Ross Kauffman. Here are the winners: Best PictureSideways (Fox Searchlight Pictures) Producer: Michael London Best Director Alexander Payne Sideways (Fox Searchlight Pictures) Best Screenplay Alexander Payne & Jim TaylorSideways (Fox Searchlight Pictures) Best […]
Film Comment editor Gavin Smith is always kind enough to send me the ballot for the magazine’s annual “50 Best” rundown (actually, two rundowns — the “50 Best Released” and “Unreleased” Films of the Year), but as a reader of the magazine I’m always a bit intimidated by how much I don’t manage to see in a given year — especially this one, in which I spent about six months out of town, five of them in a arthouse-deprived place where Anchorman was my top viewing experience. So, I sit on the ballot rather than skew the results due to […]
Producer Matthew Greenfield, whose credits include Miguel Arteta’s features Star Maps, Chuck and Buck, The Good Girl and this year’s Sundance-bound The Motel recently became the Associate Director of the Feature Film Program at Sundance Institute, but he emailed the other day to tell us about his new non-film venture. He and writer Laurence Dumortier have launched Cloverfield Press, “a boutique publishing house dedicated to bringing new literary and artistic voices to a discerning public.” Graphic design is an important component of the press’s mission statement: “We hope to create books as visually beautiful as they are intellectually and emotionally […]
The IFP/New York announced the nominees for two of its competitive sections of its newly retooled Gotham Awards, to be held December 1 and broadcast live by the IFC. Below are the Breakthrough Actor and Director nominees. Breakthrough Actor Award Nominees: Mos Def for The Woodsman (Newmarket Films) Anthony Mackie for Brother to Brother (Wolfe) Catalina Sandino Moreno for Maria Full of Grace (HBO Films & Fine Line Features) Dallas Roberts for A Home At the End of the World (Warner Independent Pictures) Ensemble cast of Everyday People (HBO) Breakthrough Director Award Nominees: Rodney Evans, Writer/Director/Producer for Brother to Brother […]
Porn is an easy election-year target, and along with the $495,000 Clear Channel/Howard Stern fine that was announced by the FCC this week, the Baltimore Sun reported that the Justice Department is gearing up for a crackdown on the industry in this election year. But it may not be the ACLU and free-speech types who lead the defense this time around. The article points out that porn is a $10 billion a year business with profits that flow to many Fortune 500 companies, including Comcast, whose Hot Network channel streams porn to hotel room customers at $12 a pop. And […]
Years ago, before I worked in film, I was a curator and programmer at The Kitchen, New York’s center for contemporary performance and video. In my first year there, the organization produced a one-off TV special entitled “Two Moon July,” and in it David Byrne performed a work of solo performance art that involved the Talking Head running in giant circles through The Kitchen’s Soho loft space, chanting out the names of future movies culled from the AFM issue of Variety. It might sound a bit slim, but it was a nice piece — there is something oddly poignant and […]
Haute Tension If you’re a regular reader of Filmmaker, you’ll recognize Travis Crawford‘s byline. He’s often in our pages writing about cutting-edge genre films, Asian auteurist work, and unclassifiable Euro arthouse pics. (See his feature on Bruno Dumont’s 29 Palms in our current issue.) But when he’s not writing for Filmmaker, Crawford is, among other things, programming the Philadelphia Film Festival‘s “Danger after Dark” program, the genre-section that allows him to cherrypick the best new titles as well as the essential works that have been on the fest circuit for the past year. Crawford is the king of the long, […]
The biggest surprise at the 2004 IFP/Los Angeles Independent Spirit Awards occurred during John Waters’s opening monologue. As Waters spun out an outlandish, increasingly hilarious story involving him being imprisoned in an MPAA cell for participating in screener bootlegging, none other than MPAA topper Jack Valenti appeared to grab the microphone away from Waters, handcuffing and dragging the mustachioed director offstage. Indeed, the tale of the screener battle — recounted by IFP/Los Angeles (a co-plaintiff) Executive Director Dawn Hudson — was, more or less, the afternoon’s sole political topic of discussion. There was no Michael Moore rant and, perhaps remembering […]